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German postwar films = life and love in the ruins /

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	German postwar films/ edited by Wilfried Wilms and William Rasch.
其他題名:	life and love in the ruins /
其他作者:	Wilms, Wilfried.
出版者:	New York :Palgrave Macmillan, : 2008.,
面頁冊數:	1 online resource (vi, 224 p.) :ill. :
附註:	Description based on print version record.
標題:	Rubble films - History and criticism. - Germany -
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230616974 (electronic bk.)

German postwar films = life and love in the ruins /
German postwar filmslife and love in the ruins /[electronic resource] :edited by Wilfried Wilms and William Rasch. - New York :Palgrave Macmillan,2008. - 1 online resource (vi, 224 p.) :ill. - Studies in European culture and history. - Studies in European culture and history..

Description based on print version record.

Includes bibliographical references (p. [209]-217) and index.

Introduction : Looking again at the rubble / William Rasch -- "When everything falls to pieces" : rubble in German films before the rubble films / Erhard Schèutz -- Rubble without a cause : theair war in postwar film / Wilfried Wilms -- A time for ruins / Dagmar Barnouw -- Rubblefilm as archive of trauma and grief : Wolfgang Lamprecht's Somewhere in Berlin / Anke Pinkert -- The stones begin to speak : the laboring subject in early DEFA documentaries / Brad Prager -- What's new? Allegorical representations of renewal in DEFA's youth films, 1946-1949 / Marc Silberman -- In the ruins of Berlin : A foreign affair / Gerd Gemèunden -- Rubble noir / Jennifer Fay -- When Liebe was just a five-letter word: Wolfgang Liebeneiner's Love 47 / Robert G. Moeller -- "Kampf dem Kampf" : aesthetic experimentation and social satire in The ballad of Berlin / Claudia Breger -- Planes, trains, and theoccasional car : the rubble film as demobilization film / Jaimey Fisher -- The sound of ruins /LutzKoepnick.

This volume of essays by scholars of German film and culture examines the relatively neglected German films of the immediate post-World WarII period, the so-called "rubble films." Often seen merely as symptomsof a particular German malady--the supposed inability to confront the sins of its immediate past--these films have rarely been examined for their aesthetic qualities and for what they actually depict about postwar German life, attitudes, and fears. Placed within the context of Germanfilm history of the postwar period and Allied censorship, the essays examine both well-known and nearly forgotten films for their narrative structure, aesthetic strategies, political ideologies, psychological portraits of damaged adults and orphaned youth, and the nuances of the history they reveal.

ISBN: 9780230616974 (electronic bk.)Subjects--Topical Terms:

306381
Rubble films
--History and criticism.--GermanyIndex Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PN1995.9.R83 / G47 2008eb

Dewey Class. No.: 791.430943/09045

German postwar films = life and love in the ruins /
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505 0 $a Introduction : Looking again at the rubble / William Rasch -- "When everything falls to pieces" : rubble in German films before the rubble films / Erhard Schèutz -- Rubble without a cause : theair war in postwar film / Wilfried Wilms -- A time for ruins / Dagmar Barnouw -- Rubblefilm as archive of trauma and grief : Wolfgang Lamprecht's Somewhere in Berlin / Anke Pinkert -- The stones begin to speak : the laboring subject in early DEFA documentaries / Brad Prager -- What's new? Allegorical representations of renewal in DEFA's youth films, 1946-1949 / Marc Silberman -- In the ruins of Berlin : A foreign affair / Gerd Gemèunden -- Rubble noir / Jennifer Fay -- When Liebe was just a five-letter word: Wolfgang Liebeneiner's Love 47 / Robert G. Moeller -- "Kampf dem Kampf" : aesthetic experimentation and social satire in The ballad of Berlin / Claudia Breger -- Planes, trains, and theoccasional car : the rubble film as demobilization film / Jaimey Fisher -- The sound of ruins /LutzKoepnick.
520 $a This volume of essays by scholars of German film and culture examines the relatively neglected German films of the immediate post-World WarII period, the so-called "rubble films." Often seen merely as symptomsof a particular German malady--the supposed inability to confront the sins of its immediate past--these films have rarely been examined for their aesthetic qualities and for what they actually depict about postwar German life, attitudes, and fears. Placed within the context of Germanfilm history of the postwar period and Allied censorship, the essays examine both well-known and nearly forgotten films for their narrative structure, aesthetic strategies, political ideologies, psychological portraits of damaged adults and orphaned youth, and the nuances of the history they reveal.
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