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Theatre and religion on Krishna's st...

Mason, David V.

Theatre and religion on Krishna's stage = performing in Vrindavan /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Theatre and religion on Krishna's stage/ David V. Mason.
Reminder of title:	performing in Vrindavan /
Author:	Mason, David V.
Published:	New York, NY :Palgrave Macmillan, : 2009.,
Description:	195 p. :ill. ; : 22 cm.;
Subject:
ISBN:	9780230621589

Theatre and religion on Krishna's stage = performing in Vrindavan /
Mason, David V.

Theatre and religion on Krishna's stageperforming in Vrindavan /[electronic resource] :David V. Mason. - 1st ed. - New York, NY :Palgrave Macmillan,2009. - 195 p. :ill. ;22 cm. - Palgrave studies in theatre and performance history.

Theatre and Religion on Krishna's Stage examines the history and form of India's rãas lila folk theatre, and discusses how this theatre functions as a mechanism of worship and spirituality among Krishna devotees in India. From analyses of performances and conversations with performers, audience, and local scholars, Mason argues that ârs lila actors and audience alike actively assume roles that locate them together in the spiritual reality that the play represents. Correlating Krishna devotion and theories of religious experience, this book suggests that the emotional experience of theatrical fiction may arise from the propensityof audiences to play out roles of their own through whichthey share aperformance's reality. ?#0

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230621589Subjects--Topical Terms:

72593

Index Terms--Genre/Form:

239592

LC Class. No.: PN2886.V75 / M38 2009

Dewey Class. No.: 792.0954/2

Theatre and religion on Krishna's stage = performing in Vrindavan /
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520 $a Theatre and Religion on Krishna's Stage examines the history and form of India's rãas lila folk theatre, and discusses how this theatre functions as a mechanism of worship and spirituality among Krishna devotees in India. From analyses of performances and conversations with performers, audience, and local scholars, Mason argues that ârs lila actors and audience alike actively assume roles that locate them together in the spiritual reality that the play represents. Correlating Krishna devotion and theories of religious experience, this book suggests that the emotional experience of theatrical fiction may arise from the propensityof audiences to play out roles of their own through whichthey share aperformance's reality. ?#0
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Oct. 6, 2009). $n Access may berestricted to users at subscribing institutions.
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