新生學校財團法人新生醫護管理專科學校圖書館 |

Russian culture and theatrical performance in America, 1891-1933

Record Type:	Electronic resources : Monograph/item
Title/Author:	Russian culture and theatrical performance in America, 1891-1933/ Valleri J. Hohman.
Author:	Hohman, Valleri J.,
Published:	New York :Palgrave Macmillan, : 2011.,
Description:	1 online resource (xi, 209 p.) :ill. :
Subject:	Theater - History - 19th century. - United States -
Subject:	United States - Social policy - 1993- -
Online resource:	An electronic book accessible through the World Wide Web; click for information
ISBN:	9780230119901 (electronic bk.)

Russian culture and theatrical performance in America, 1891-1933
Hohman, Valleri J.,1972-

Russian culture and theatrical performance in America, 1891-1933[electronic resource] /Valleri J. Hohman. - 1st ed. - New York :Palgrave Macmillan,2011. - 1 online resource (xi, 209 p.) :ill. - Palgrave studies in theatre and performance history. - Palgrave studies in theatre and performance history..

Includes bibliographical references and index.

PART I: RUSSIANS IN AMERICA: THE EARLY YEARS * 'Russian' in America * Jacob Gordin in America * The First Russian Touring Artists in America * PART II: THE RUSSIAN INVASION OF THE AMERICAN THEATRE * Otto H. Kahn -- Establishing Russian Performance in America * Morris Gest -- Bringing Russian Art to the Masses * PART III: REVOLUTIONARY THEATRE FROM RUSSIAN TO AMERICA * Experimentation in the Soviet Theatre€* The Habima in America * Experiments in Style in the 1920s Yiddish Theatres * The Artef and Workers' Theatre in the US.

Between the 1890s and the 1930s, advancements in communication and travel encouraged widespread international cultural exchange, and Americans increasingly came into contact with Russian culture and theatrical performance. A number of factors, including emigration from Russia, world war, revolutionary activities in both Russia and the United States, and developments in modernism in the American theatre influenced the way those performances were received by American artists and audiences. Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance.

ISBN: 9780230119901 (electronic bk.)

Standard No.: 9786613266231

Source: 527035Palgrave Macmillanhttp://www.palgraveconnect.com

Nat. Bib. Agency Control No.: 015798809UkSubjects--Topical Terms:

235758
Theater
--History--United States--19th century.Subjects--Geographical Terms:

84632
United States
--Social policy--1993-Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PN2248 / .H56 2011

Dewey Class. No.: 792.0947/0973

Russian culture and theatrical performance in America, 1891-1933
LDR:04546cmm a2200493Ka 4500 001 131288
003 OCoLC
005 20130621115052.0
006 m o d
007 cr cn|||||||||
008 160105s2011 nyua ob 001 0 eng d
016 7 $a 015798809 $2 Uk
019 $a 754710214 $a 755003454 $a 759160380
020 $a 9780230119901 (electronic bk.)
020 $a 0230119905 (electronic bk.)
020 $a 9780230113688 (hbk.)
020 $a 0230113680 (hbk.)
024 8 $a 9786613266231
035 $a (OCoLC)748542152 $z (OCoLC)754710214 $z (OCoLC)755003454 $z (OCoLC)759160380
035 $a ocn748542152
037 $a 527035 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $c UKPGM $d UKMGB $d CDX $d N$T $d E7B $d OCLCQ
043 $a n-us--- $a e-ru---
049 $a TEFA
050 4 $a PN2248 $b .H56 2011
072 7 $a PER $x 011020 $2 bisacsh
082 0 4 $a 792.0947/0973 $2 22
084 $a PER011020 $a HIS036060 $a HIS054000 $2 bisacsh
100 1 $a Hohman, Valleri J., $d 1972- $3 235757
245 1 0 $a Russian culture and theatrical performance in America, 1891-1933 $h [electronic resource] / $c Valleri J. Hohman.
250 $a 1st ed.
260 $a New York : $c 2011. $b Palgrave Macmillan,
300 $a 1 online resource (xi, 209 p.) : $b ill.
490 1 $a Palgrave studies in theatre and performance history
504 $a Includes bibliographical references and index.
505 0 $a PART I: RUSSIANS IN AMERICA: THE EARLY YEARS * 'Russian' in America * Jacob Gordin in America * The First Russian Touring Artists in America * PART II: THE RUSSIAN INVASION OF THE AMERICAN THEATRE * Otto H. Kahn -- Establishing Russian Performance in America * Morris Gest -- Bringing Russian Art to the Masses * PART III: REVOLUTIONARY THEATRE FROM RUSSIAN TO AMERICA * Experimentation in the Soviet Theatre€* The Habima in America * Experiments in Style in the 1920s Yiddish Theatres * The Artef and Workers' Theatre in the US.
505 8 $a Machine generated contents note: -- PART I: RUSSIANS IN AMERICA: THE EARLY YEARS . "Russian" in America -- Jacob Gordin in America -- The First Russian Touring Artists in America -- PART II: THE RUSSIAN INVASION OF THE AMERICAN THEATRE. Otto H. Kahn: Establishing Russian Performance in America -- Morris Gest: Bringing Russian Art to the Masses -- PART III: REVOLUTIONARY THEATRE FROM RUSSIA TO AMERICA. Experimentation in the Soviet Theatre -- The Habima in America -- Experiments in Style in the 1920s Yiddish Theatres -- The Artef and Workers' Theatre in the US.
520 $a Between the 1890s and the 1930s, advancements in communication and travel encouraged widespread international cultural exchange, and Americans increasingly came into contact with Russian culture and theatrical performance. A number of factors, including emigration from Russia, world war, revolutionary activities in both Russia and the United States, and developments in modernism in the American theatre influenced the way those performances were received by American artists and audiences. Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance.
520 $a "Between the 1890s and the 1930s, advancements in communication and travel encouraged widespread international cultural exchange, and Americans increasingly came into contact with Russian culture and theatrical performance. A number of factors, including emigration from Russia, world war, revolutionary activities in both Russia and the United States, and developments in modernism in the American theatre influenced the way those performances were received by American artists and audiences. Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance"-- $c Provided by publisher.
588 $a Description based on print version record.
650 0 $a Theater $z United States $x History $y 19th century. $3 235758
650 0 $a Theater $z United States $x History $y 20th century. $3 235260
650 0 $a Russians $z United States $x History $y 19th century. $3 235759
650 0 $a Russians $z United States $x History $y 20th century. $3 235760
650 0 $a Russian Americans $x Intellectual life $x History $y 19th century. $3 235761
650 0 $a Russian Americans $x Intellectual life $x History $y 20th century. $3 235762
650 7 $a Performing arts $x Theater $x History & Criticism. $2 bisacsh $3 235763
651 0 $a United States $x Social policy $y 1993- $3 84632 $3 172358
655 4 $a Electronic books. $2 local. $3 96803
710 2 $a Palgrave Connect (Online service) $3 227469
776 0 8 $i Print version: $a Hohman, Valleri J., 1972- $t Russian culture and theatrical performance in America, 1891-1933. $b 1st ed. $d New York : Palgrave Macmillan, 2011 $z 9780230113688 $w (DLC) 2011014229 $w (OCoLC)697266868
830 0 $a Palgrave studies in theatre and performance history. $3 228533
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230119901 $z An electronic book accessible through the World Wide Web; click for information
938 $a Coutts Information Services $b COUT $n 18989665
938 $a ebrary $b EBRY $n ebr10496576
938 $a EBSCOhost $b EBSC $n 387511
994 $a C0 $b TEF