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New Argentine and Brazilian cinema =...
~
Andermann, Jens.
New Argentine and Brazilian cinema = reality effects /
Record Type:
Electronic resources : Monograph/item
Title/Author:
New Argentine and Brazilian cinema/ edited by Jens Andermann and Álvaro Fernández Bravo.
Reminder of title:
reality effects /
other author:
Andermann, Jens.
Published:
New York :Palgrave Macmillan, : [2013],
Description:
1 online resource.
Subject:
Motion pictures - Argentina. -
Online resource:
http://www.palgraveconnect.com/doifinder/10.1057/9781137304834
ISBN:
9781137304834 (electronic bk.)
New Argentine and Brazilian cinema = reality effects /
New Argentine and Brazilian cinema
reality effects /[electronic resource] :edited by Jens Andermann and Álvaro Fernández Bravo. - New York :Palgrave Macmillan,[2013] - 1 online resource. - New directions in Latino American cultures. - New directions in Latino American cultures..
Includes bibliographical references.
1. C̀mera l͠cida; Još Carlos Avellar -- 2. Footprints: Risks and Achievements in New Argentine Cinema David Oubįa -- PART I: RETURNS OF THE REAL: RE-ENACTMENT, MEMORY, AND THE UNCANNY -- 3. Documentary Cinema and the Return of Past Events; Andřa Fraṅa -- 4. Re-Enactment and Transmission in Contemporary Cinema; Ivone Margulies -- 5. The Return of the Natural: Landscape, Nature and the Place of Fiction; Edgardo Dieleke -- 6. Beyond Reflexivity: Acting and Experience in Le̤n, Rejtman and Coutinho; Joanna Page -- 7. The Scene and the Inscription of the Real; Cesar Guimar̂es -- PART II: ARCHIVES OF THE PRESENT -- 8. Global Periphery; Ivana Bentes -- 9. Exploding Buses: Jose Padilha and the Hijacking of Media; Tom Cohen -- 10. December's Other Scene: New Argentine Cinema and the Crisis of 2001; Jens Andermann -- 11. Archival Images - Memories of Labor: Citation, Recycling and Appropriation in Contemporary Argentine Cinema; Mariano Mestman -- 12. In Praise of Difficulty: Notes on Realism and Narrative in Contemporary Argentine Film; Domin Choi -- 13. The I as Other: the Real, the Archive and the Witness; Alvaro Ferǹndez Bravo -- 14. The Documentary Between the First and the Third Person; Gonzalo Aguilar.
Examining Brazilian and Argentine cinema of the last fifteen years, this volume charts the emergence of a new concern with the real, bringing together contributions from leading film scholars and critics from Latin America, Europe, and the United States. Comparing 'New Argentine Cinema" and the Brazilian 'Retomada,' the contributors read across the boundaries between documentary and fiction and trace new modes of deploying performance and re-enactment, found footage, and the interplay between film and television and theater. They shed light on similarities between and variations in different Latin American national cinemas' filmic discourses and production contexts and map these findings onto the larger context of current film theory.
ISBN: 9781137304834 (electronic bk.)
Source: 636922Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
238389
Motion pictures
--Argentina.Index Terms--Genre/Form:
96803
Electronic books.
LC Class. No.: PN1993.5.A7 / N49 2013
Dewey Class. No.: 791.43/0982
New Argentine and Brazilian cinema = reality effects /
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1. C̀mera l͠cida; Još Carlos Avellar -- 2. Footprints: Risks and Achievements in New Argentine Cinema David Oubįa -- PART I: RETURNS OF THE REAL: RE-ENACTMENT, MEMORY, AND THE UNCANNY -- 3. Documentary Cinema and the Return of Past Events; Andřa Fraṅa -- 4. Re-Enactment and Transmission in Contemporary Cinema; Ivone Margulies -- 5. The Return of the Natural: Landscape, Nature and the Place of Fiction; Edgardo Dieleke -- 6. Beyond Reflexivity: Acting and Experience in Le̤n, Rejtman and Coutinho; Joanna Page -- 7. The Scene and the Inscription of the Real; Cesar Guimar̂es -- PART II: ARCHIVES OF THE PRESENT -- 8. Global Periphery; Ivana Bentes -- 9. Exploding Buses: Jose Padilha and the Hijacking of Media; Tom Cohen -- 10. December's Other Scene: New Argentine Cinema and the Crisis of 2001; Jens Andermann -- 11. Archival Images - Memories of Labor: Citation, Recycling and Appropriation in Contemporary Argentine Cinema; Mariano Mestman -- 12. In Praise of Difficulty: Notes on Realism and Narrative in Contemporary Argentine Film; Domin Choi -- 13. The I as Other: the Real, the Archive and the Witness; Alvaro Ferǹndez Bravo -- 14. The Documentary Between the First and the Third Person; Gonzalo Aguilar.
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Examining Brazilian and Argentine cinema of the last fifteen years, this volume charts the emergence of a new concern with the real, bringing together contributions from leading film scholars and critics from Latin America, Europe, and the United States. Comparing 'New Argentine Cinema" and the Brazilian 'Retomada,' the contributors read across the boundaries between documentary and fiction and trace new modes of deploying performance and re-enactment, found footage, and the interplay between film and television and theater. They shed light on similarities between and variations in different Latin American national cinemas' filmic discourses and production contexts and map these findings onto the larger context of current film theory.
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New Argentine and Brazilian cinema = reality effects /
/ Andermann, Jens. / Palgrave Macmillan, / [2013]
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