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Romanticism and the Gothic : = Genre...

Gamer, Michael.

Romanticism and the Gothic : = Genre, Reception, and Canon Formation.

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	Romanticism and the Gothic :/
其他題名:	Genre, Reception, and Canon Formation.
作者:	Gamer, Michael.
出版者:	Cambridge :Cambridge University Press, : 2000.,
面頁冊數:	274 p.
叢書名:	Cambridge Studies in Romanticism, 40
標題:	English literature - 18th century - History and cr.; Wordsworth, William. -
電子資源:	Click here to view book
ISBN:	9780511484216 (electronic bk.)

Romanticism and the Gothic : = Genre, Reception, and Canon Formation.
Gamer, Michael.

Romanticism and the Gothic :Genre, Reception, and Canon Formation.[electronic resource]. - Cambridge :Cambridge University Press,2000. - 274 p. - Cambridge Studies in Romanticism, 40.

Preliminaries; Contents; Acknowledgments; List of Abbreviations; A note on the text; Introduction: Romanticism’s ‘‘pageantry of fear’’; Chapter 1: Gothic, reception, and production; Chapter 2: Gothic and its contexts; Chapter 3: ‘‘Gross and violent stimulants’’: producing Lyrical Ballads 1798 and 1800; Chapter 4: National supernaturalism: Joanna Baillie, Germany, and the gothic drama; Chapter 5: ‘‘To foist thy stale romance’’: Scott, antiquarianism, and authorship; Notes; Index; Cambridge Studies in Romanticism

This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer analyses how and why Romantic writers drew on Gothic conventions whilst denying their influence in order to claim critical respectability.

Electronic reproduction.

Available via World Wide Web.

Mode of access: World Wide Web.

ISBN: 9780511484216 (electronic bk.)Subjects--Topical Terms:

277656
English literature - 18th century - History and cr.; Wordsworth, William.
Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PR448.G6 G36 2000eb

Dewey Class. No.: 820.9145

Romanticism and the Gothic : = Genre, Reception, and Canon Formation.
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505 0 $a Preliminaries; Contents; Acknowledgments; List of Abbreviations; A note on the text; Introduction: Romanticism’s ‘‘pageantry of fear’’; Chapter 1: Gothic, reception, and production; Chapter 2: Gothic and its contexts; Chapter 3: ‘‘Gross and violent stimulants’’: producing Lyrical Ballads 1798 and 1800; Chapter 4: National supernaturalism: Joanna Baillie, Germany, and the gothic drama; Chapter 5: ‘‘To foist thy stale romance’’: Scott, antiquarianism, and authorship; Notes; Index; Cambridge Studies in Romanticism
520 $a This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer analyses how and why Romantic writers drew on Gothic conventions whilst denying their influence in order to claim critical respectability.
533 $a Electronic reproduction. $n Available via World Wide Web.
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