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Author's Pen and Actor's Voice : = P...
~
Orgel, Stephen.
Author's Pen and Actor's Voice : = Playing and Writing in Shakespeare's Theatre.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Author's Pen and Actor's Voice :/
Reminder of title:
Playing and Writing in Shakespeare's Theatre.
Author:
Weimann, Robert.
other author:
Higbee, Helen.
Published:
Cambridge :Cambridge University Press, : 2000.,
Description:
316 p.
Series:
Cambridge studies in Renaissance literature and culture
Subject:
Drama - Technique.; Shakespeare, William. -
Online resource:
Click here to view book
ISBN:
9780511484070 (electronic bk.)
Author's Pen and Actor's Voice : = Playing and Writing in Shakespeare's Theatre.
Weimann, Robert.
Author's Pen and Actor's Voice :
Playing and Writing in Shakespeare's Theatre.[electronic resource]. - Cambridge :Cambridge University Press,2000. - 316 p. - Cambridge studies in Renaissance literature and culture.
Cover; Half-title; Series-title; Title; Copyright; Dedication; Contents; Preface; Introduction: conjunctures and concepts; 1 Performance and authority in Hamlet (1603); 2 A new agenda for authority; 3 Pen and voice: versions of doubleness; 4 Playing with a difference; 5 Histories in Elizabethan performance; 6 Hamlet and the purposes of playing; 7 Space (in)dividable: locus and platea revisited; 8 Shakespeare's endings: commodious thresholds; Afterword: thresholds forever after; Notes; Works cited; Index
Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare.
Electronic reproduction.
Available via World Wide Web.
Mode of access: World Wide Web.
ISBN: 9780511484070 (electronic bk.)Subjects--Topical Terms:
278408
Drama - Technique.; Shakespeare, William.
Index Terms--Genre/Form:
96803
Electronic books.
LC Class. No.: PR3034 .W45 2000eb
Dewey Class. No.: 822.33
Author's Pen and Actor's Voice : = Playing and Writing in Shakespeare's Theatre.
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Playing and Writing in Shakespeare's Theatre.
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[electronic resource].
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316 p.
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Cambridge studies in Renaissance literature and culture
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Cover; Half-title; Series-title; Title; Copyright; Dedication; Contents; Preface; Introduction: conjunctures and concepts; 1 Performance and authority in Hamlet (1603); 2 A new agenda for authority; 3 Pen and voice: versions of doubleness; 4 Playing with a difference; 5 Histories in Elizabethan performance; 6 Hamlet and the purposes of playing; 7 Space (in)dividable: locus and platea revisited; 8 Shakespeare's endings: commodious thresholds; Afterword: thresholds forever after; Notes; Works cited; Index
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Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare.
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Available via World Wide Web.
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Drama - Technique.; Shakespeare, William.
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Higbee, Helen.
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Orgel, Stephen.
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West, William.
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Click here to view book
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http://ebooks.cambridge.org/ebook.jsf?bid=CBO9780511484070
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