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Staging black feminisms = identity, politics, performance /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Staging black feminisms/ Lynette Goddard.
Reminder of title:	identity, politics, performance /
Author:	Goddard, Lynette,
Published:	Basingstoke ;Palgrave Macmillan, : 2007.,
Description:	ix, 229 p.
Series:	Performance interventions
Subject:	Black theater - History - 20th century. - Great Britain -
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230801448

Staging black feminisms = identity, politics, performance /
Goddard, Lynette,1966-

Staging black feminismsidentity, politics, performance /[electronic resource] :Lynette Goddard. - Basingstoke ;Palgrave Macmillan,2007. - ix, 229 p. - Performance interventions.

Includes bibliographical references (p. 198-220) and index.

PART I: HISTORY AND AESTHETICS -- Black British Women and Theatre: An Overview -- Black Feminist Performance Aesthetics -- PART II: PLAYS -- Winsome Pinnock's Migration Narratives -- JacquelineRudet (Re)Writing Sexual Deviancy -- Jackie Kay and Valerie Mason-John's Zamis, Lesbians and Queers-- PART III: PERFORMANCES -- Black Mime Theatre Women's Troops -- Solo Voices: Performance Art, Danceand Poetry -- PART IV: CONCLUSIONS -- Black Feminist Futures?

Staging Black Feminisms sets out to challenge perceptions of black women's theatre work as inherently feminist. Drawing on black feminist theories of identity and theories of black and feministperformance form, it analyzes key themes such as migration, motherhood, sexuality, mixed race identity and interracial relationships, in a range of late twentieth- and early twenty-first-century blackBritish women's plays and performances. Case studies explore plays by Winsome Pinnock, Jackie Kay,Valerie Mason John, Jacqueline Rudet and debbie tucker green, alongsidedevised performance, dance, poetry and live art by Black Mime Theatre Women's Troop, Patience Agbabi, SuAndi, Dorothea Smartt and Susan Lewis.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230801448

Standard No.: 10.1057/9780230801448doiSubjects--Topical Terms:

293016
Black theater
--History--Great Britain--20th century.Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PN2595.13.B34 / G63 2007eb

Dewey Class. No.: 792.089/96041

Staging black feminisms = identity, politics, performance /
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245 1 0 $a Staging black feminisms $h [electronic resource] : $b identity, politics, performance / $c Lynette Goddard.
260 $a Basingstoke ; $a New York : $c 2007. $b Palgrave Macmillan,
300 $a ix, 229 p.
440 0 $a Performance interventions
504 $a Includes bibliographical references (p. 198-220) and index.
505 0 $a PART I: HISTORY AND AESTHETICS -- Black British Women and Theatre: An Overview -- Black Feminist Performance Aesthetics -- PART II: PLAYS -- Winsome Pinnock's Migration Narratives -- JacquelineRudet (Re)Writing Sexual Deviancy -- Jackie Kay and Valerie Mason-John's Zamis, Lesbians and Queers-- PART III: PERFORMANCES -- Black Mime Theatre Women's Troops -- Solo Voices: Performance Art, Danceand Poetry -- PART IV: CONCLUSIONS -- Black Feminist Futures?
520 $a Staging Black Feminisms sets out to challenge perceptions of black women's theatre work as inherently feminist. Drawing on black feminist theories of identity and theories of black and feministperformance form, it analyzes key themes such as migration, motherhood, sexuality, mixed race identity and interracial relationships, in a range of late twentieth- and early twenty-first-century blackBritish women's plays and performances. Case studies explore plays by Winsome Pinnock, Jackie Kay,Valerie Mason John, Jacqueline Rudet and debbie tucker green, alongsidedevised performance, dance, poetry and live art by Black Mime Theatre Women's Troop, Patience Agbabi, SuAndi, Dorothea Smartt and Susan Lewis.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
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