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Remembering the occupation in French film = national identity in postwar Europe /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Remembering the occupation in French film/ Leah D. Hewitt.
Reminder of title:	national identity in postwar Europe /
Author:	Hewitt, Leah Dianne.
Published:	New York :Palgrave Macmillan, : 2008.,
Description:	viii, 254 p. :ill. :
Series:	Studies in European culture and history
Subject:	World War, 1939-1945 - Motion pictures and the war. -
Subject:	France - Social conditions - 19th century. -
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230612105

Remembering the occupation in French film = national identity in postwar Europe /
Hewitt, Leah Dianne.

Remembering the occupation in French filmnational identity in postwar Europe /[electronic resource] :Leah D. Hewitt. - 1st ed. - New York :Palgrave Macmillan,2008. - viii, 254 p. :ill. - Studies in European culture and history.

Includes bibliographical references (p. [231]-242) and index.

Film as memory: a battleground for shaping identity -- Transitions before the "sorrow": criticism and myth in the late 1950s and early 1960s -- Identity politics in films of the 1970s -- Occupational performances in Truffaut's The last metro -- Ambiguous national icons in Chabrol's Story of women -- Love stories, real/cinematic heroines, the postmoderns: the 1980s and beyond -- In lieu of aconclusion.

When collective memory is a source of national debate, the public representation of history quickly becomes a locus of controversy and ideological struggle. Remembering the Occupation in FrenchFilm explores French identity as it is articulated through cultural representations of Occupied France in French film. This work shows how French film has allowed for a public airing of current concerns through the lens of memory's recreations of the Occupation. By focusing on the representation ofwomen as the symbol of a collective identity crisis, the author links France's traditional female icon, Marianne, to the multiple unresolved ambiguities that have continued to plague France b2 ss historical reckoning with the war.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230612105

Standard No.: 10.1057/9780230612105doiSubjects--Topical Terms:

205484
World War, 1939-1945
--Motion pictures and the war.Subjects--Geographical Terms:

88517
France
--Social conditions--19th century.Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: D743.23 / .H48 2008eb

Dewey Class. No.: 791.43/658

Remembering the occupation in French film = national identity in postwar Europe /
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300 $a viii, 254 p. : $b ill.
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504 $a Includes bibliographical references (p. [231]-242) and index.
505 0 $a Film as memory: a battleground for shaping identity -- Transitions before the "sorrow": criticism and myth in the late 1950s and early 1960s -- Identity politics in films of the 1970s -- Occupational performances in Truffaut's The last metro -- Ambiguous national icons in Chabrol's Story of women -- Love stories, real/cinematic heroines, the postmoderns: the 1980s and beyond -- In lieu of aconclusion.
520 $a When collective memory is a source of national debate, the public representation of history quickly becomes a locus of controversy and ideological struggle. Remembering the Occupation in FrenchFilm explores French identity as it is articulated through cultural representations of Occupied France in French film. This work shows how French film has allowed for a public airing of current concerns through the lens of memory's recreations of the Occupation. By focusing on the representation ofwomen as the symbol of a collective identity crisis, the author links France's traditional female icon, Marianne, to the multiple unresolved ambiguities that have continued to plague France b2 ss historical reckoning with the war.
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