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Populism, gender, and sympathy in the romantic novel

Record Type:	Electronic resources : Monograph/item
Title/Author:	Populism, gender, and sympathy in the romantic novel/ James P. Carson.
Author:	Carson, James Patrick,
Published:	New York :Palgrave Macmillan, : 2010.,
Description:	x, 247 p. :ill. :
Subject:	English fiction - History and criticism. - 19th century -
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230106574

Populism, gender, and sympathy in the romantic novel
Carson, James Patrick,1955-

Populism, gender, and sympathy in the romantic novel[electronic resource] /James P. Carson. - 1st ed. - New York :Palgrave Macmillan,2010. - x, 247 p. :ill. - Nineteenth-century major lives and letters. - Nineteenth-century major lives and letters..

Includes bibliographical references (p. [219]-235) and index.

Gothic and romantic crowds -- Popular versus legitimate authority inScott's The heart of mid-Lothian -- Gothic properties: Matthew Lewis'sThe monk and Journal of a West India proprietor -- Unisonance and the echo: popular disturbances and theatricality in the works of Charles Maturin -- Godwin's "metaphysical dissecting knife" -- "A sigh of many hearts": history, humanity, and popular culture in Mary Shelley's Valperga and Lodore.

Populism, Gender, and Sympathy in the Romantic Novel is a richly historicized account that explores anxieties about crowds, fiction and disguise, women authors, and unstable gender roles. JamesP. Carson arguesthat the Romantic novel is a form individualizing in its address, which exploits popular materials and stretches formal boundaries in an attempt to come to terms with the masses. Informed by Bakhtin, Foucault, and Freud, this book offers fresh new readings of works by Sir Walter Scott, William Godwin, Matthew Lewis, Charles Robert Maturin, and Mary Shelley.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230106574Subjects--Topical Terms:

91419
English fiction
--History and criticism.--19th centuryIndex Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PR868.C75 / C37 2010

Dewey Class. No.: 823/.709355

Populism, gender, and sympathy in the romantic novel
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300 $a x, 247 p. : $b ill.
490 1 $a Nineteenth-century major lives and letters
504 $a Includes bibliographical references (p. [219]-235) and index.
505 0 $a Gothic and romantic crowds -- Popular versus legitimate authority inScott's The heart of mid-Lothian -- Gothic properties: Matthew Lewis'sThe monk and Journal of a West India proprietor -- Unisonance and the echo: popular disturbances and theatricality in the works of Charles Maturin -- Godwin's "metaphysical dissecting knife" -- "A sigh of many hearts": history, humanity, and popular culture in Mary Shelley's Valperga and Lodore.
520 $a Populism, Gender, and Sympathy in the Romantic Novel is a richly historicized account that explores anxieties about crowds, fiction and disguise, women authors, and unstable gender roles. JamesP. Carson arguesthat the Romantic novel is a form individualizing in its address, which exploits popular materials and stretches formal boundaries in an attempt to come to terms with the masses. Informed by Bakhtin, Foucault, and Freud, this book offers fresh new readings of works by Sir Walter Scott, William Godwin, Matthew Lewis, Charles Robert Maturin, and Mary Shelley.
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