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A counter-history of crime fiction = supernatural, gothic, sensational /

Record Type:	Electronic resources : Monograph/item
Title/Author:	A counter-history of crime fiction/ Maurizio Ascari.
Reminder of title:	supernatural, gothic, sensational /
Author:	Ascari, Maurizio.
Published:	Basingstoke [England] ;Palgrave Macmillan, : 2007.,
Description:	xv, 222 p. ;23 cm.;
Series:	Crime files series
Subject:	Detective and mystery stories, English - History and criticism. -
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230234536

A counter-history of crime fiction = supernatural, gothic, sensational /
Ascari, Maurizio.

A counter-history of crime fictionsupernatural, gothic, sensational /[electronic resource] :Maurizio Ascari. - Basingstoke [England] ;Palgrave Macmillan,2007. - xv, 222 p. ;23 cm. - Crime files series.

Includes bibliographical references (p. 197-212) and index.

Acknowledgements -- Introduction -- Revising the Canon of Crime and Detection -- PART I: SUPERNATURAL AND GOTHIC -- Detection Before Detection -- Persecution and Omniscience -- Victorian Ghostsand Revengers --Pseudo-Sciences and the Occult -- PART II: SENSATIONAL -- The Languageof Auguste Dupin -- On the Sensational in Literature -- London as a 'Heart of Darkness' -- The Rhetoric of Atavism and Degeneration -- The Age of Formula Fiction -- Bibliography -- Index.

A Counter-History of Crime Fiction takes a new look at the evolutionof crime fiction, drawingon material from the Middle Ages up to the early twentieth century, when the genre was theoretically defined as detective fiction. Considering 'criminography' as a system of inter-related, even incestuous, sub-genres, Maurizio Ascari explores the connections between modes of literature such as revenge tragedies and providential fictions, the gothic and the ghost story, urban mysteries and anarchist fiction, while taking into account the influence of pseudo-sciences such as mesmerism and criminal anthropology. The result is a fascinating inquiry into the nature of a genre whose formulaic nature has not prevented imaginative, not to say heretical, variations on the themes of crime and detection. Theoretically informed, with an innovative approachto its subject matter, and written in an accessible style, A Counter-History of Crime Fiction is essential reading for those researching in, studying, or just intrigued by crime fiction and its development.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230234536Subjects--Topical Terms:

196294
Detective and mystery stories, English
--History and criticism.Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PR830.D4 / A8 2007

Dewey Class. No.: 823/.087209

A counter-history of crime fiction = supernatural, gothic, sensational /
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245 1 2 $a A counter-history of crime fiction $h [electronic resource] : $b supernatural, gothic, sensational / $c Maurizio Ascari.
260 $a Basingstoke [England] ; $a New York : $c 2007. $b Palgrave Macmillan,
300 $a xv, 222 p. ; $c 23 cm.
440 0 $a Crime files series
504 $a Includes bibliographical references (p. 197-212) and index.
505 0 $a Acknowledgements -- Introduction -- Revising the Canon of Crime and Detection -- PART I: SUPERNATURAL AND GOTHIC -- Detection Before Detection -- Persecution and Omniscience -- Victorian Ghostsand Revengers --Pseudo-Sciences and the Occult -- PART II: SENSATIONAL -- The Languageof Auguste Dupin -- On the Sensational in Literature -- London as a 'Heart of Darkness' -- The Rhetoric of Atavism and Degeneration -- The Age of Formula Fiction -- Bibliography -- Index.
520 $a A Counter-History of Crime Fiction takes a new look at the evolutionof crime fiction, drawingon material from the Middle Ages up to the early twentieth century, when the genre was theoretically defined as detective fiction. Considering 'criminography' as a system of inter-related, even incestuous, sub-genres, Maurizio Ascari explores the connections between modes of literature such as revenge tragedies and providential fictions, the gothic and the ghost story, urban mysteries and anarchist fiction, while taking into account the influence of pseudo-sciences such as mesmerism and criminal anthropology. The result is a fascinating inquiry into the nature of a genre whose formulaic nature has not prevented imaginative, not to say heretical, variations on the themes of crime and detection. Theoretically informed, with an innovative approachto its subject matter, and written in an accessible style, A Counter-History of Crime Fiction is essential reading for those researching in, studying, or just intrigued by crime fiction and its development.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Apr. 24, 2009). $n Access may be restricted to users at subscribing institutions.
650 0 $a Detective and mystery stories, English $x History and criticism. $3 196294
650 0 $a Supernatural in literature. $3 233902
650 0 $a Sensationalism in literature. $3 231102
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