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Left of Hollywood = cinema, modernis...
~
Robe, Chris, (1972-)
Left of Hollywood = cinema, modernism, and the emergence of U.S. radical film culture /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Left of Hollywood/ Chris Robe.
Reminder of title:
cinema, modernism, and the emergence of U.S. radical film culture /
Author:
Robe, Chris,
Published:
Austin, Tex. :University of Texas Press, : 2010.,
Description:
1 online resource (viii, 298 p.) :ill. :
Subject:
Working class in motion pictures. -
Online resource:
Full text available:
ISBN:
9780292784734 (electronic bk.)
Left of Hollywood = cinema, modernism, and the emergence of U.S. radical film culture /
Robe, Chris,1972-
Left of Hollywood
cinema, modernism, and the emergence of U.S. radical film culture /[electronic resource] :Chris Robe. - 1st ed. - Austin, Tex. :University of Texas Press,2010. - 1 online resource (viii, 298 p.) :ill.
Includes bibliographical references and index.
Introduction : unfinished promises to an orphaned time -- Montage, realism, and the male gaze-- Eisenstein in America : the !Que viva Mexico! debates and emergent Popular Front U.S. film theory and criticism -- Screening race : the antilynching film, the black press, and U.S. Popular Front film criticism -- Taking Hollywood back : gendered historiesof the Hollywood costume drama, the biopic, and Jean Renoir's La Marseillaise -- Conclusion : fragments of the future.
ISBN: 9780292784734 (electronic bk.)Subjects--Topical Terms:
206062
Working class in motion pictures.
LC Class. No.: PN1995.9.P6 / R63 2010
Dewey Class. No.: 791.43/6581
Left of Hollywood = cinema, modernism, and the emergence of U.S. radical film culture /
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1972-
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Left of Hollywood
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[electronic resource] :
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cinema, modernism, and the emergence of U.S. radical film culture /
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Chris Robe.
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1st ed.
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Austin, Tex. :
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2010.
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University of Texas Press,
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1 online resource (viii, 298 p.) :
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ill.
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Includes bibliographical references and index.
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Introduction : unfinished promises to an orphaned time -- Montage, realism, and the male gaze-- Eisenstein in America : the !Que viva Mexico! debates and emergent Popular Front U.S. film theory and criticism -- Screening race : the antilynching film, the black press, and U.S. Popular Front film criticism -- Taking Hollywood back : gendered historiesof the Hollywood costume drama, the biopic, and Jean Renoir's La Marseillaise -- Conclusion : fragments of the future.
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Description based on print version record.
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Working class in motion pictures.
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Politics in motion pictures.
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Radicalism
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Film criticism
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Socialism and motion pictures
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Motion picture industry
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Full text available:
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http://muse.jhu.edu/books/9780292784734/
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