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Reservation reelism = redfacing, visual sovereignty, and representations of Native Americans in film /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Reservation reelism/ Michelle H.Raheja.
Reminder of title:	redfacing, visual sovereignty, and representations of Native Americans in film /
Author:	Raheja, Michelle H.
Published:	Lincoln :University of Nebraska Press, : c2010.,
Description:	1 online resource (xviii, 338 p.) :ill. :
Subject:	Motion pictures - History - 20th century. - United States -
Online resource:	Full text available:
ISBN:	9780803234451 (electronic bk.)

Reservation reelism = redfacing, visual sovereignty, and representations of Native Americans in film /
Raheja, Michelle H.

Reservation reelismredfacing, visual sovereignty, and representations of Native Americans in film /[electronic resource] :Michelle H.Raheja. - Lincoln :University of Nebraska Press,c2010. - 1 online resource (xviii, 338 p.) :ill.

Includes bibliographical references (p. [291]-317) and index.

Toward a genealogy of indigenous film theory : reading Hollywood Indians -- Ideologies of (in)visibility : redfacing, gender, and moving images -- Tears and trash : economies of redfacing and the ghostly Indian-- Prophesizing on the virtual reservation : Imprint and It starts with a whisper -- Visual sovereignty, indigenous revisions of ethnography,and Atanarjuat (The fast runner).

ISBN: 9780803234451 (electronic bk.)Subjects--Topical Terms:

204135
Motion pictures
--History--United States--20th century.

LC Class. No.: PN1995.9.I48 / R34 2010

Dewey Class. No.: 302.23089

Reservation reelism = redfacing, visual sovereignty, and representations of Native Americans in film /
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245 1 0 $a Reservation reelism $h [electronic resource] : $b redfacing, visual sovereignty, and representations of Native Americans in film / $c Michelle H.Raheja.
260 $a Lincoln : $c c2010. $e (Baltimore, Md. : $f Project MUSE, $g 2013) $b University of Nebraska Press,
300 $a 1 online resource (xviii, 338 p.) : $b ill.
504 $a Includes bibliographical references (p. [291]-317) and index.
505 0 $a Toward a genealogy of indigenous film theory : reading Hollywood Indians -- Ideologies of (in)visibility : redfacing, gender, and moving images -- Tears and trash : economies of redfacing and the ghostly Indian-- Prophesizing on the virtual reservation : Imprint and It starts with a whisper -- Visual sovereignty, indigenous revisions of ethnography,and Atanarjuat (The fast runner).
588 $a Description based on print version record.
650 0 $a Motion pictures $z United States $x History $y 20th century. $3 204135
650 0 $a Stereotypes (Social psychology) in motion pictures. $3 205476
650 0 $a Indians in the motion picture industry $z United States. $3 207759
650 0 $a Indigenous peoples in motion pictures. $3 207760
650 0 $a Indians in motion pictures. $3 207761
710 2 $a Project Muse. $3 202701
856 4 0 $z Full text available: $u http://muse.jhu.edu/books/9780803234451/

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