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Hollywood's African American films =...
~
Friedman, Ryan Jay.
Hollywood's African American films = the transition to sound /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Hollywood's African American films/ Ryan Jay Friedman.
Reminder of title:
the transition to sound /
Author:
Friedman, Ryan Jay.
Published:
New Brunswick, N.J. :Rutgers University Press, : c2011.,
Description:
1 online resource (xi, 247 p.) :ill. :
Subject:
Motion pictures - History - 20th century. - United States -
Online resource:
Full text available:
ISBN:
9780813550800 (electronic bk.)
Hollywood's African American films = the transition to sound /
Friedman, Ryan Jay.
Hollywood's African American films
the transition to sound /[electronic resource] :Ryan Jay Friedman. - New Brunswick, N.J. :Rutgers University Press,c2011. - 1 online resource (xi, 247 p.) :ill.
Includes bibliographical references and index.
Introduction : Negro talking pictures -- "Black became the fad" : white highbrow culture and Negro films -- "The Negro invades Hollywood" :the great migration, the studios, and the performance of African American social mobility -- On (with the) show : race and female bodily spectacle in early Hollywood sound film -- The unhomely plantation : racialphantasmagoria in Hallelujah -- Blackness without African Americans : Check and double check and the dialectics of cinematic blackface -- Conclusion : "the required Negro motif" after the transition to sound.
ISBN: 9780813550800 (electronic bk.)Subjects--Topical Terms:
204135
Motion pictures
--History--United States--20th century.
LC Class. No.: PN1995.9.N4 / F75 2011
Dewey Class. No.: 791.43/652996073
Hollywood's African American films = the transition to sound /
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the transition to sound /
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Ryan Jay Friedman.
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Includes bibliographical references and index.
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Introduction : Negro talking pictures -- "Black became the fad" : white highbrow culture and Negro films -- "The Negro invades Hollywood" :the great migration, the studios, and the performance of African American social mobility -- On (with the) show : race and female bodily spectacle in early Hollywood sound film -- The unhomely plantation : racialphantasmagoria in Hallelujah -- Blackness without African Americans : Check and double check and the dialectics of cinematic blackface -- Conclusion : "the required Negro motif" after the transition to sound.
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Full text available:
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http://muse.jhu.edu/books/9780813550800/
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