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Poetry, pictures, and popular publishing = the illustrated gift book and Victorian visual culture, 1855-1875 /

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	Poetry, pictures, and popular publishing/ Lorraine Janzen Kooistra.
其他題名:	the illustrated gift book and Victorian visual culture, 1855-1875 /
作者:	Janzen Kooistra, Lorraine,
出版者:	Athens, Ohio :Ohio University Press, : c2011.,
面頁冊數:	1 online resource (xiv, 305 p.) :ill. :
標題:	Books and reading - History - 19th century. - Great Britain -
電子資源:	Full text available:
ISBN:	9780821443804 (electronic bk.)

Poetry, pictures, and popular publishing = the illustrated gift book and Victorian visual culture, 1855-1875 /
Janzen Kooistra, Lorraine,1953-

Poetry, pictures, and popular publishingthe illustrated gift book and Victorian visual culture, 1855-1875 /[electronic resource] :Lorraine Janzen Kooistra. - Athens, Ohio :Ohio University Press,c2011. - 1 online resource (xiv, 305 p.) :ill.

Includes bibliographical references (p. 269-284) and index.

"Poetry, Picture, and Popular Publishing demonstrates the cultural centrality of a neglected artifact: the Victorian Illustrated gift book.Kooistra reveals how the gift book's visual/verbal form mediated "high" and popular art as well as book and periodical publication. A composite text produced by many makers, the poetic gift book was designed for domestic space and a female audience. Withrigorous attention to the gift book's aesthetic and ideological features, Kooistra analyzes the contributions of poets, artists, engravers, publishers, and readers and shows how its material form moved poetry into popular culture. Drawing onarchival and periodical research, she offers new readings of Eliza Cook, Adelaide Procter, and Jean Ingelow and shows the transatlantic reachof their verses. Boldly resituating Tennyson's works within the gift-book economy he dominated, Kooistra demonstrateshow the conditions of corporate authorship shaped the production and reception of the laureate's verses at the peak of his popularity"--

ISBN: 9780821443804 (electronic bk.)Subjects--Topical Terms:

214319
Books and reading
--History--Great Britain--19th century.

LC Class. No.: AY13.A2 / J36 2011

Dewey Class. No.: 002.0941/09034

Poetry, pictures, and popular publishing = the illustrated gift book and Victorian visual culture, 1855-1875 /
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260 $a Athens, Ohio : $c c2011. $e (Baltimore, Md. : $f Project MUSE, $g 2013) $b Ohio University Press,
300 $a 1 online resource (xiv, 305 p.) : $b ill.
504 $a Includes bibliographical references (p. 269-284) and index.
520 $a "Poetry, Picture, and Popular Publishing demonstrates the cultural centrality of a neglected artifact: the Victorian Illustrated gift book.Kooistra reveals how the gift book's visual/verbal form mediated "high" and popular art as well as book and periodical publication. A composite text produced by many makers, the poetic gift book was designed for domestic space and a female audience. Withrigorous attention to the gift book's aesthetic and ideological features, Kooistra analyzes the contributions of poets, artists, engravers, publishers, and readers and shows how its material form moved poetry into popular culture. Drawing onarchival and periodical research, she offers new readings of Eliza Cook, Adelaide Procter, and Jean Ingelow and shows the transatlantic reachof their verses. Boldly resituating Tennyson's works within the gift-book economy he dominated, Kooistra demonstrateshow the conditions of corporate authorship shaped the production and reception of the laureate's verses at the peak of his popularity"-- $c Provided by publisher.
520 $a "In Poetry, Pictures, and Popular Publishing eminent Rossetti scholar Lorraine Janzen Kooistra demonstrates the cultural centrality of a neglected artifact: the Victorian illustrated gift book.Turning a critical lens on "drawing-room books" as both material objects and historicalevents, Kooistra reveals how the gift book's visual/verbal form mediated "high" and popular art as well as book and periodical publication. Acomposite text produced by many makers, the poetic gift book was designed for domestic space and a female audience; its mode of publication marks a significant moment in the history of authorship, reading, and publishing. With rigorous attention to the gift book's aesthetic and ideological features, Kooistra analyzes the contributions of poets, artists, engravers, publishers, and readers and shows how its material form moved poetry into popular culture. Drawing on archival and periodical research, she offers new readings of Eliza Cook, Adelaide Procter, and Jean Ingelow and shows the transatlantic reach of their verses. Boldly re-situating Tennyson's works withinthe gift-book economy he dominated, Kooistra demonstrates how the conditions of corporate authorship shaped the production and reception of the laureate's verses at the peak of his popularity. Poetry, Pictures, and Popular Publishing changes the map of poetry's place--in all its senses--in Victorian everyday life and consumer culture"-- $c Provided by publisher.
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