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Screens and veils = Maghrebi women's...
~
Africa, North
Screens and veils = Maghrebi women's cinema /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Screens and veils/ Florence Martin.
Reminder of title:
Maghrebi women's cinema /
Author:
Martin, Florence,
Published:
Bloomington :Indiana University Press, : c2011.,
Description:
1 online resource (x, 271 p.) :ill. :
Subject:
Women in motion pictures. -
Subject:
Africa, North - Fiction. -
Online resource:
Full text available:
ISBN:
9780253005656 (electronic bk.)
Screens and veils = Maghrebi women's cinema /
Martin, Florence,1959-
Screens and veils
Maghrebi women's cinema /[electronic resource] :Florence Martin. - Bloomington :Indiana University Press,c2011. - 1 online resource (x, 271 p.) :ill. - New directions in national cinemas.
Includes bibliographical references and index.
Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari'sscreen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: Thesleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda.
ISBN: 9780253005656 (electronic bk.)Subjects--Topical Terms:
97565
Women in motion pictures.
Subjects--Geographical Terms:
94807
Africa, North
--Fiction.
LC Class. No.: PN1993.5.A35 / M37 2011
Dewey Class. No.: 791.430961
Screens and veils = Maghrebi women's cinema /
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[electronic resource] :
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Florence Martin.
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Indiana University Press,
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ill.
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Includes bibliographical references and index.
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Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari'sscreen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: Thesleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda.
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Women in motion pictures.
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Full text available:
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http://muse.jhu.edu/books/9780253005656/
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