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Dark directions = Romero, Craven, Ca...
~
Carpenter, John, (1948-)
Dark directions = Romero, Craven, Carpenter,and the modern horror film /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Dark directions/ Kendall R. Phillips.
Reminder of title:
Romero, Craven, Carpenter,and the modern horror film /
Author:
Phillips, Kendall R.
Published:
Carbondale :Southern Illinois University Press, : 2012.,
Description:
1 online resource (xi, 215 p.) :ill. :
Subject:
Horror films - History and criticism. - United States -
Online resource:
Full text available:
ISBN:
9780809330973 (electronic bk.)
Dark directions = Romero, Craven, Carpenter,and the modern horror film /
Phillips, Kendall R.
Dark directions
Romero, Craven, Carpenter,and the modern horror film /[electronic resource] :Kendall R. Phillips. - Carbondale :Southern Illinois University Press,2012. - 1 online resource (xi, 215 p.) :ill.
Includes filmography.
Introduction: auteur, genre, and the rhetorics of horror -- Unconstrained bodies in the filmsof George Romero. The body as contrast: Romero's Living dead -- The body as site of struggle: The crazies, Monkey shines, The dark half, Bruiser -- Romero's mythic bodies: Martin and Knightriders -- Gothic dimensions in the films of Wes Craven. Craven's gothic form: nightmares, screams, and monsters -- Gothic technologies: Serpent and the rainbow, Deadly friend, Swamp thing, Red eye, Shocker -- Gothic families: The people under the stairs, The hills have eyes, Last house on the left -- Desolatefrontiers in the films of John Carpenter. Sites under siege: Dark star, Assault on Precinct 13, Thething, Village of the damned -- Forbidden thresholds: The fog, Ghosts of Mars, Halloween, Prince ofdarkness, In the mouth of madness -- Drifters in desolation: Big trouble in Little China, Vampires,They live, Escape from NewYork, Escape from L.A. -- Conclusion.
ISBN: 9780809330973 (electronic bk.)Subjects--Personal Names:
218380
Carpenter, John,
1948---Criticism and interpretation.Subjects--Topical Terms:
203148
Horror films
--History and criticism.--United States
LC Class. No.: PN1995.9.H6 / P55 2012
Dewey Class. No.: 791.43/6164
Dark directions = Romero, Craven, Carpenter,and the modern horror film /
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Dark directions
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[electronic resource] :
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Romero, Craven, Carpenter,and the modern horror film /
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Kendall R. Phillips.
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2012.
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2013)
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Southern Illinois University Press,
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1 online resource (xi, 215 p.) :
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ill.
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Includes filmography.
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Includes bibliographical references and index.
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Introduction: auteur, genre, and the rhetorics of horror -- Unconstrained bodies in the filmsof George Romero. The body as contrast: Romero's Living dead -- The body as site of struggle: The crazies, Monkey shines, The dark half, Bruiser -- Romero's mythic bodies: Martin and Knightriders -- Gothic dimensions in the films of Wes Craven. Craven's gothic form: nightmares, screams, and monsters -- Gothic technologies: Serpent and the rainbow, Deadly friend, Swamp thing, Red eye, Shocker -- Gothic families: The people under the stairs, The hills have eyes, Last house on the left -- Desolatefrontiers in the films of John Carpenter. Sites under siege: Dark star, Assault on Precinct 13, Thething, Village of the damned -- Forbidden thresholds: The fog, Ghosts of Mars, Halloween, Prince ofdarkness, In the mouth of madness -- Drifters in desolation: Big trouble in Little China, Vampires,They live, Escape from NewYork, Escape from L.A. -- Conclusion.
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Description based on print version record.
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Carpenter, John,
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1948-
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Criticism and interpretation.
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218380
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Craven, Wes
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Romero, George A.
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Horror films
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United States
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Full text available:
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http://muse.jhu.edu/books/9780809330973/
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