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Imperial refugee = Olivia Manning's ...
~
Project Muse.
Imperial refugee = Olivia Manning's fictionsof war /
紀錄類型:
書目-電子資源 : 單行本
正題名/作者:
Imperial refugee/ Eve Patten.
其他題名:
Olivia Manning's fictionsof war /
作者:
Patten, Eve.
出版者:
Cork, Ireland :Cork University Press, : 2011,
面頁冊數:
1 online resource (vii, 234 p.).
附註:
Issued as part of UPCC book collections on Project MUSE.
標題:
World War, 1939-1945 - Literature and the war. -
電子資源:
Full text available:
ISBN:
9781908634214 (electronic bk.)
Imperial refugee = Olivia Manning's fictionsof war /
Patten, Eve.
Imperial refugee
Olivia Manning's fictionsof war /[electronic resource] :Eve Patten. - Cork, Ireland :Cork University Press,2011 - 1 online resource (vii, 234 p.).
Issued as part of UPCC book collections on Project MUSE.
Includes bibliographical references and index.
Acknowledgements -- Abbreviations -- Introduction -- Chapter one. A life in writing -- Chapter two. The Balkan trilogy: Romania and the farend of Europe -- Chapter three. From Athens to Alexandria: the contexts of personal landscape -- Chapter four. Egypt, the Desert war and the Levant trilogy -- Chapter five. 'John Bull's other Ireland': Manning's Palestine fiction -- Conclusion. The Rain forest -- Notes and references -- Bibliography -- Index.
Olivia Manning's reputation as a difficult personality often threatens to obscure her reputation as a writer. Few twentieth century novelists can have inspired such consistent dislike. The publisher Dan Davin, for example, who was devoted to Manning's gregarious husband Reggie Smith, complained of her as a shrewish woman whose aim was to be as unpleasant to as many people as possible, whilethe legendary denizen of Fitzrovia, Julian Maclaren-Ross, recalled among his Stag's Head drinking circle the taciturn, undemonstrative and physically unattractive Olivia Manning who, from the vantagepoint of her bar-stool regarded the otherswith an expression of amusement, mingled with contempt. Fellow writer Inez Holden christened her "whiney" Manning; Anthony Powell, her otherwise generous editor at Punch, admitted her to be the world's worst grumbler and her publishers at Heinemann were forced to conclude that she was never an easy artist to handle. Even Kay Dick, her lifelong friend and correspondent, depicted Manning in her 1984 novel The Shelf as the spiteful gossip Sophie, who, withher wry fragility, delicate hands and penetrating voice . . . often reminded me of a goshawk about to bite.
ISBN: 9781908634214 (electronic bk.)Subjects--Personal Names:
219457
Manning, Olivia
--Criticism and interpretation.Subjects--Topical Terms:
90741
World War, 1939-1945
--Literature and the war.Index Terms--Genre/Form:
96803
Electronic books.
LC Class. No.: PR6063.A384 / Z638 2011
Dewey Class. No.: 823.914
Imperial refugee = Olivia Manning's fictionsof war /
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Acknowledgements -- Abbreviations -- Introduction -- Chapter one. A life in writing -- Chapter two. The Balkan trilogy: Romania and the farend of Europe -- Chapter three. From Athens to Alexandria: the contexts of personal landscape -- Chapter four. Egypt, the Desert war and the Levant trilogy -- Chapter five. 'John Bull's other Ireland': Manning's Palestine fiction -- Conclusion. The Rain forest -- Notes and references -- Bibliography -- Index.
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Olivia Manning's reputation as a difficult personality often threatens to obscure her reputation as a writer. Few twentieth century novelists can have inspired such consistent dislike. The publisher Dan Davin, for example, who was devoted to Manning's gregarious husband Reggie Smith, complained of her as a shrewish woman whose aim was to be as unpleasant to as many people as possible, whilethe legendary denizen of Fitzrovia, Julian Maclaren-Ross, recalled among his Stag's Head drinking circle the taciturn, undemonstrative and physically unattractive Olivia Manning who, from the vantagepoint of her bar-stool regarded the otherswith an expression of amusement, mingled with contempt. Fellow writer Inez Holden christened her "whiney" Manning; Anthony Powell, her otherwise generous editor at Punch, admitted her to be the world's worst grumbler and her publishers at Heinemann were forced to conclude that she was never an easy artist to handle. Even Kay Dick, her lifelong friend and correspondent, depicted Manning in her 1984 novel The Shelf as the spiteful gossip Sophie, who, withher wry fragility, delicate hands and penetrating voice . . . often reminded me of a goshawk about to bite.
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