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Performing the US Latina and Latino borderlands

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	Performing the US Latina and Latino borderlands/ edited by Arturo J.Aldama, Chela Sandoval, and Peter J. Garcia.
其他作者:	Aldama, Arturo J.,
出版者:	Bloomington :Indiana University Press, : 2012.,
面頁冊數:	1 online resource (522 p.).
標題:	Hispanic Americans in the performing arts. -
電子資源:	Full text available:
ISBN:	9780253008770 (electronic bk.)

Performing the US Latina and Latino borderlands
Performing the US Latina and Latino borderlands[electronic resource] /edited by Arturo J.Aldama, Chela Sandoval, and Peter J. Garcia. - Bloomington :Indiana University Press,2012. - 1 online resource (522 p.).

Includes bibliographical references and index.

Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. Garcia -- Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en-)Codice-ado: Chicana/Indigena and Mexicantransnational performative indigeneities / Micaela Diaz-Sanchez -- Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones -- The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian -- The art of place: the work of Diane Gamboa / Karen Mary Davalos -- Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Gutierrez-Jones -- Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-Garcia -- Ethnographies of performance: the Rio Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cantu -- Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-Gonzalez -- Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodernwas born along the borders of the Rio Grande River / William AnthonyNericcio -- Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks inEl Paso/Juarez / Emma Perez -- "Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo Mexico music / Peter J. Garcia -- Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hernandez -- Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero -- Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martinez-Cruz and Liza Ann Acosta-- Suturing las ramblas to East LA: transnational performances of Josefina Lopez's Real women have curves / Tiffany Ana Lopez -- Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolucion / Marivel T. Danielson -- Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / JenniferEsposito -- Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada -- (De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama -- "Pelones y matones": chicano cholos performfor a punitive audience / Victor M. Rios and Patrick Lopez-Aguado -- Mexican hip hop: male expressive culture / Pancho McFarland --The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson -- (Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Perez -- Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela.

ISBN: 9780253008770 (electronic bk.)Subjects--Topical Terms:

220773
Hispanic Americans in the performing arts.

LC Class. No.: PN1590.H57 / P47 2012

Dewey Class. No.: 790.20868

Performing the US Latina and Latino borderlands
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