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Transition cinema = political filmma...
~
Stites Mor, Jessica.
Transition cinema = political filmmaking andthe Argentine left since 1968 /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Transition cinema/ Jessica Stites Mor.
Reminder of title:
political filmmaking andthe Argentine left since 1968 /
Author:
Stites Mor, Jessica.
Published:
Pittsburgh :University of Pittsburgh Press, : 2012.,
Description:
1 online resource (304 p.).
Subject:
Politics in motion pictures. -
Online resource:
Full text available:
ISBN:
9780822977971 (electronic bk.)
Transition cinema = political filmmaking andthe Argentine left since 1968 /
Stites Mor, Jessica.
Transition cinema
political filmmaking andthe Argentine left since 1968 /[electronic resource] :Jessica Stites Mor. - Pittsburgh :University of Pittsburgh Press,2012. - 1 online resource (304 p.). - Illuminations: cultural formations of the Americas.
Includes bibliographical references and index.
Introduction -- The spectacle of the past. Cameras in the hands of "angry young men": filmmaking and the Cordobazo -- Filmmakers into film workers: Peronism, dictatorship, and the film industry-- Reimagining the left. The scene and the city: coded landscapes and collective memoryin transition -- Experience, representation, and reproduction: displacement and El Sur de Solanas -- The mediated subject. Documentalismo: political filmmaking and social movements -- Postmodern exigencies: new media, memory, and critical spaces -- Conclusion.
ISBN: 9780822977971 (electronic bk.)Subjects--Topical Terms:
206063
Politics in motion pictures.
LC Class. No.: PN1995.9.P6 / S75 2012
Dewey Class. No.: 791.430982
Transition cinema = political filmmaking andthe Argentine left since 1968 /
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Transition cinema
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[electronic resource] :
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political filmmaking andthe Argentine left since 1968 /
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Jessica Stites Mor.
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Illuminations: cultural formations of the Americas
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Includes bibliographical references and index.
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Introduction -- The spectacle of the past. Cameras in the hands of "angry young men": filmmaking and the Cordobazo -- Filmmakers into film workers: Peronism, dictatorship, and the film industry-- Reimagining the left. The scene and the city: coded landscapes and collective memoryin transition -- Experience, representation, and reproduction: displacement and El Sur de Solanas -- The mediated subject. Documentalismo: political filmmaking and social movements -- Postmodern exigencies: new media, memory, and critical spaces -- Conclusion.
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Politics in motion pictures.
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Full text available:
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http://muse.jhu.edu/books/9780822977971/
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