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Women, pleasure, film = what Lolas w...

Richter, Simon.

Women, pleasure, film = what Lolas want /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Women, pleasure, film/ by Simon Richter.
Reminder of title:	what Lolas want /
Author:	Richter, Simon.
Description:	1 online resource.
Subject:	Women in motion pictures. -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137309730
ISBN:	9781137309730 (electronic bk.)

Women, pleasure, film = what Lolas want /
Richter, Simon.

Women, pleasure, filmwhat Lolas want /[electronic resource] :by Simon Richter. - 1 online resource.

Includes bibliographical references.

Falling in love again, and again and again -- The give and take of naming -- The Lola revue: the Lola film as genre -- Lola's song and dance -- Lola doesn't kill and Lola doesn't die -- Cameras and clowns -- Lola's legs -- Domesticating Lola -- Lola's bedroom and the staircase to paradise -- Portraits of Lola -- Lola and motherhood -- Lola, race, and ethnicity -- Carousels and carnivals -- Lola's menagerie -- The colors of Lola -- It's Lola's time.

The Lola film is a distinct subgenre of the woman's film in which woman's claim to pleasure is entertained without recourse to the figure of the femme fatale. Lola embodies a recognizable set of characteristics through which over time a select group of directors, actors, and audiences have responded in ways that do not succumb to the imperatives of gender. There are over thirty-five Lola films, starting with Marlene Dietrich in "The Blue Angel": many are German, others are French, American, British, Italian, and Spanish, but her claim has also resonated in Argentina, China, Egypt, Mexico, Thailand, and the Philippines. Lola can be working class, lesbian, transgender, ethnic, suburban, or any combination. This book examines Lola as a specific and enduring aspect of the early twentieth-century "new woman": woman's forthright claim to pleasure on her own terms, liberated, if only as a cinematic fantasy, from the usual constraints of sex and gender.

ISBN: 9781137309730 (electronic bk.)

Source: 654986Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

97565
Women in motion pictures.
Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PN1995.9.W6 / R53 2013

Dewey Class. No.: 791.43/6522

Women, pleasure, film = what Lolas want /
LDR:02623cmm 2200361Ka 4500 001 129211
003 OCoLC
005 20130913034527.0
006 m o d
007 cr cnu---unuuu
008 151231s2013 nyu ob 000 0 eng d
020 $a 9781137309730 (electronic bk.)
020 $a 1137309733 (electronic bk.)
029 1 $a NLGGC $b 364287306
035 $a (OCoLC)855889534
035 $a ocn855889534
037 $a 654986 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $c UKPGM $d OCLCO $d N$T $d EBLCP
049 $a TEFA
050 4 $a PN1995.9.W6 $b R53 2013
072 7 $a PER $x 009000 $2 bisacsh
082 0 4 $a 791.43/6522 $2 23
100 1 $a Richter, Simon. $3 227540
245 1 0 $a Women, pleasure, film $h [electronic resource] : $b what Lolas want / $c by Simon Richter.
264 1 $a New York, NY : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
504 $a Includes bibliographical references.
505 0 $a Falling in love again, and again and again -- The give and take of naming -- The Lola revue: the Lola film as genre -- Lola's song and dance -- Lola doesn't kill and Lola doesn't die -- Cameras and clowns -- Lola's legs -- Domesticating Lola -- Lola's bedroom and the staircase to paradise -- Portraits of Lola -- Lola and motherhood -- Lola, race, and ethnicity -- Carousels and carnivals -- Lola's menagerie -- The colors of Lola -- It's Lola's time.
520 $a The Lola film is a distinct subgenre of the woman's film in which woman's claim to pleasure is entertained without recourse to the figure of the femme fatale. Lola embodies a recognizable set of characteristics through which over time a select group of directors, actors, and audiences have responded in ways that do not succumb to the imperatives of gender. There are over thirty-five Lola films, starting with Marlene Dietrich in "The Blue Angel": many are German, others are French, American, British, Italian, and Spanish, but her claim has also resonated in Argentina, China, Egypt, Mexico, Thailand, and the Philippines. Lola can be working class, lesbian, transgender, ethnic, suburban, or any combination. This book examines Lola as a specific and enduring aspect of the early twentieth-century "new woman": woman's forthright claim to pleasure on her own terms, liberated, if only as a cinematic fantasy, from the usual constraints of sex and gender.
588 $a Description based on print version record.
650 0 $a Women in motion pictures. $3 97565
650 0 $a Characters and characteristics in motion pictures. $3 227541
650 0 $a Sex in motion pictures. $3 205977
650 7 $a PERFORMING ARTS / Reference $2 bisacsh. $3 218609
655 4 $a Electronic books. $2 local. $3 96803
776 $t Women, pleasure, film $6 129211
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137309730
994 $a C0 $b TEF

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