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Transforming media coverage of violent conflicts : = the new face of war /

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	Transforming media coverage of violent conflicts :/ Zohar Kampf, Tamar Liebes.
其他題名:	the new face of war /
作者:	Kampf, Zohar,
其他作者:	Liebes, Tamar,
面頁冊數:	1 online resource.
標題:	Television broadcasting of news. -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137313218
ISBN:	9781137313218 (electronic bk.)

Transforming media coverage of violent conflicts : = the new face of war /
Kampf, Zohar,

Transforming media coverage of violent conflicts :the new face of war /Zohar Kampf, Tamar Liebes. - 1 online resource.

Includes bibliographical references and index.

Machine generated contents note: Introduction: New Personae in Media Coverage of Violent Conflicts -- PART I: GIVING VOICE TO NEW ACTORS -- 1. Performer Journalists: The Latest Phase in the Profession -- 2. Celeb terrorists: The New Sought After Sources -- 3. Hosting Enemy Leaders: Negotiating Over the Heads of 'Our' Politicians -- 4. Foregrounding Ordinary People: Adopting the Logic of the Individual -- PART II: DOWNGRADING TRADITIONAL ACTORS -- 5. Missing the Editor: The Decline of Professionalism -- 6. Politicians Looking for Shelter: Distrusting National Leaders -- 7. Generals Under Fire: The Loss of Immunity of High-ranking Officers -- Conclusions: New Characters -- New Challenges.

"Transforming Media Coverage of Violent Conflicts offers a fresh view of contemporary violent conflicts, suggesting an explanation to the dramatic changes in the ways in which war and terror are covered by Western media. It argues that viewers around the globe follow violent events, literally and metaphorically, on "wide" and "flat" screens, in "high-definition". The "wide-screen" means that at present the screen is wide enough to include new actors - terrorists, 'enemy' leaders, ordinary people in a range of roles, and journalists in the field - who have gained status of the kind that in the past was exclusive to editors, army generals and governmental actors. The "high-definition" metaphor means that the eye of the camera closes in on both traditional and new actors, probing their emotions, experiences and beliefs in ways that were irrelevant in past conflicts. The "flat-screen" metaphor stands for the consequences of the two former phenomena, leading to a loss of the hierarchy of the meanings of war. Paradoxically, the better the quality of viewing, the less the understanding of what we see. Through these metaphors, Kampf and Liebes systematically analyse changes in the practices, technologies, infrastructures and external institutional relationships of journalism"--

ISBN: 9781137313218 (electronic bk.)Subjects--Topical Terms:

228298
Television broadcasting of news.
Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PN4888.T4 / K36 2013eb

Dewey Class. No.: 070.4/333

Transforming media coverage of violent conflicts : = the new face of war /
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245 1 0 $a Transforming media coverage of violent conflicts : $b the new face of war / $c Zohar Kampf, Tamar Liebes.
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504 $a Includes bibliographical references and index.
505 8 $a Machine generated contents note: Introduction: New Personae in Media Coverage of Violent Conflicts -- PART I: GIVING VOICE TO NEW ACTORS -- 1. Performer Journalists: The Latest Phase in the Profession -- 2. Celeb terrorists: The New Sought After Sources -- 3. Hosting Enemy Leaders: Negotiating Over the Heads of 'Our' Politicians -- 4. Foregrounding Ordinary People: Adopting the Logic of the Individual -- PART II: DOWNGRADING TRADITIONAL ACTORS -- 5. Missing the Editor: The Decline of Professionalism -- 6. Politicians Looking for Shelter: Distrusting National Leaders -- 7. Generals Under Fire: The Loss of Immunity of High-ranking Officers -- Conclusions: New Characters -- New Challenges.
520 $a "Transforming Media Coverage of Violent Conflicts offers a fresh view of contemporary violent conflicts, suggesting an explanation to the dramatic changes in the ways in which war and terror are covered by Western media. It argues that viewers around the globe follow violent events, literally and metaphorically, on "wide" and "flat" screens, in "high-definition". The "wide-screen" means that at present the screen is wide enough to include new actors - terrorists, 'enemy' leaders, ordinary people in a range of roles, and journalists in the field - who have gained status of the kind that in the past was exclusive to editors, army generals and governmental actors. The "high-definition" metaphor means that the eye of the camera closes in on both traditional and new actors, probing their emotions, experiences and beliefs in ways that were irrelevant in past conflicts. The "flat-screen" metaphor stands for the consequences of the two former phenomena, leading to a loss of the hierarchy of the meanings of war. Paradoxically, the better the quality of viewing, the less the understanding of what we see. Through these metaphors, Kampf and Liebes systematically analyse changes in the practices, technologies, infrastructures and external institutional relationships of journalism"-- $c Provided by publisher.
588 $a Description based on print version record.
650 0 $a Television broadcasting of news. $3 228298
650 0 $a War $x Press coverage. $3 228299
650 0 $a War in mass media. $3 228300
650 0 $a Terrorism in mass media. $3 207739
650 0 $a Mass media and war. $3 228301
650 7 $a SOCIAL SCIENCE / Media Studies. $2 bisacsh $3 227484
650 7 $a LANGUAGE ARTS & DISCIPLINES / Journalism $2 bisacsh $3 228302
655 4 $a Electronic books. $2 local. $3 96803
700 1 $a Liebes, Tamar, $e author. $3 228297
776 0 8 $i Print version: $a Kampf, Zohar. $t Transforming media coverage of violent conflicts $z 9780230298705 $w (DLC) 2013019071 $w (OCoLC)827256631
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137313218
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