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The femme fatale = images, histories, contexts /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The femme fatale/ edited by Helen Hanson and Catherine O'Rawe.
Reminder of title:	images, histories, contexts /
other author:	Hanson, Helen.
Published:	Basingstoke :Palgrave Macmillan, : c2010.,
Description:	1 online resource (xiv, 236 p.) :ill. :
Subject:	Femmes fatales in motion pictures. -
Online resource:	An electronic book accessible through the World Wide Web; click for information
ISBN:	9780230282018 (electronic bk.)

The femme fatale = images, histories, contexts /
The femme fataleimages, histories, contexts /[electronic resource] :edited by Helen Hanson and Catherine O'Rawe. - Basingstoke :Palgrave Macmillan,c2010. - 1 online resource (xiv, 236 p.) :ill.

Includes bibliographical references and index.

Ecoutez la Femme: hear/here the difference / Griselda Pollock -- The mother of all Femme fatales: Eve as temptress in Genesis 3 / Karen L. Edwards -- Challenging the stereotype: the Femme fatale in Fin-de-siècle art and early cinema / Jess Sully -- Silent divas: the Femme fatales of the Italian Cinema muto / Joy Ramirez -- 'You'll be the death of me': Mata Hari and the myth of the Femme fatale / Rosie White -- Diabolically clever- Clouszot's French Noir les diaboliques (1954) / Susan Hayward -- Fatal femininity in post-war British film: investigating the British Femme / Melanie Bell -- 'Put the blame on ... Mei': Zhang Ziyi and the politics of global stardom / Olga Kourelou -- Gender, genre and stardom: fatality in Italian neorealist cinema / Catherine O'Rawe -- The Femme fatale of Spanish retro Noir: the recuperation of a repressed voice / Ann Davies -- Chiaroscuro: the half-glimpsed Femme fatale of Italian Film noir / Mary Wood -- A myth is born: the Femme fatale in the golden age of Mexican cinema / John L. Marambio and Marcie Rinka -- 'I can't tell anymore whether you're lying': Double indemnity, Human desire and the narratology of Femmes fatales / Steve Neale -- 'Well, aren't we ambitious', or 'you've made up your mind I'm guilty': reading women as wicked in American Film noir / Julie Grossman -- The big seduction: feminist film criticism and the Femme fatale / Helen Hanson.

The fatal female figure has been a recurrent one in literature, the visual arts and cinema. Originating in early forms of stories and myths, such as those of Eve, the Sirens and Medusa, fatal women have been the focus of narratives of good and evil, of desire and danger and often mark societal boundaries and embody gender threat. This collection examines fatal femininity as a cultural preoccupation across different cultural contexts and historical epochs. The essays range from familiar cultural figures such as Salome and Mata Hari to the femme fatale of film noir, but the collection is united by two key questions: what is at stake in specific constructions of fatal women? How do these constructions relate to their historical and social contexts? Bringing together scholars from literature, film and the visual arts, the book traces the transmissions of the femme fatale across place and era and demonstrates the enduring potency of the femme fatale as a concept.

ISBN: 9780230282018 (electronic bk.)

Standard No.: 9786612997075

Source: 290331Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

231107
Femmes fatales in motion pictures.
Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PN1995.9.F44 / F46 2010

Dewey Class. No.: 791.436522

The femme fatale = images, histories, contexts /
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505 0 $a Ecoutez la Femme: hear/here the difference / Griselda Pollock -- The mother of all Femme fatales: Eve as temptress in Genesis 3 / Karen L. Edwards -- Challenging the stereotype: the Femme fatale in Fin-de-siècle art and early cinema / Jess Sully -- Silent divas: the Femme fatales of the Italian Cinema muto / Joy Ramirez -- 'You'll be the death of me': Mata Hari and the myth of the Femme fatale / Rosie White -- Diabolically clever- Clouszot's French Noir les diaboliques (1954) / Susan Hayward -- Fatal femininity in post-war British film: investigating the British Femme / Melanie Bell -- 'Put the blame on ... Mei': Zhang Ziyi and the politics of global stardom / Olga Kourelou -- Gender, genre and stardom: fatality in Italian neorealist cinema / Catherine O'Rawe -- The Femme fatale of Spanish retro Noir: the recuperation of a repressed voice / Ann Davies -- Chiaroscuro: the half-glimpsed Femme fatale of Italian Film noir / Mary Wood -- A myth is born: the Femme fatale in the golden age of Mexican cinema / John L. Marambio and Marcie Rinka -- 'I can't tell anymore whether you're lying': Double indemnity, Human desire and the narratology of Femmes fatales / Steve Neale -- 'Well, aren't we ambitious', or 'you've made up your mind I'm guilty': reading women as wicked in American Film noir / Julie Grossman -- The big seduction: feminist film criticism and the Femme fatale / Helen Hanson.
520 $a The fatal female figure has been a recurrent one in literature, the visual arts and cinema. Originating in early forms of stories and myths, such as those of Eve, the Sirens and Medusa, fatal women have been the focus of narratives of good and evil, of desire and danger and often mark societal boundaries and embody gender threat. This collection examines fatal femininity as a cultural preoccupation across different cultural contexts and historical epochs. The essays range from familiar cultural figures such as Salome and Mata Hari to the femme fatale of film noir, but the collection is united by two key questions: what is at stake in specific constructions of fatal women? How do these constructions relate to their historical and social contexts? Bringing together scholars from literature, film and the visual arts, the book traces the transmissions of the femme fatale across place and era and demonstrates the enduring potency of the femme fatale as a concept.
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