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Knowing Shakespeare = senses, embodiment and cognition /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Knowing Shakespeare/ edited by Lowell Gallagher and Shankar Raman.
Reminder of title:	senses, embodiment and cognition /
other author:	Gallagher, Lowell,
Published:	Basingstoke, Hampshire ;Palgrave Macmillan, : 2010.,
Description:	1 online resource (ix, 270 p.)
Subject:	Senses and sensation in literature. -
Online resource:	An electronic book accessible through the World Wide Web; click for information
ISBN:	9780230299092 (electronic bk.)

Knowing Shakespeare = senses, embodiment and cognition /
Knowing Shakespearesenses, embodiment and cognition /[electronic resource] :edited by Lowell Gallagher and Shankar Raman. - Basingstoke, Hampshire ;Palgrave Macmillan,2010. - 1 online resource (ix, 270 p.) - Palgrave Shakespeare studies. - Palgrave Shakespeare studies..

Includes bibliographical references and index.

Macbeth and the perils of conjecture / Sean H. McDowell -- Eying and wording in Cymbeline / Bruce R. Smith -- 'O, she's warm': touch in The winter's tale / Evelyn Tribble -- Falling into extremity / Patricia Cahill -- Roman world, Egyptian earth: cognitive difference in Shakespeare's Antony and Cleopatra / Mary Thomas Crane -- Hamlet in motion / Shankar Raman -- Artifactual knowledge in Hamlet / Howard Marchitello -- 'Rich eyes and poor hands': theaters of early modern experience / Adam Rzepka -- 'Repeat to me the words of the echo': listening to The tempest / Allison Kay Deutermann -- Mind the gaps: the ear, the eye, and the senses of a woman in Much ado about nothing / Diana E. Henderson.

Knowing Shakespeare describes the rich variance of embodied and sensory perception in early modern culture. The volume's cross-disciplinary emphasis enhances understanding of the 'sense' of sensing in Shakespeare's idiom by bringing schemes from early modern natural philosophy and rhetorical arts into critical conversation with concepts drawn from historical phenomenology, cognitive science and trauma theory. Collectively the essays, many of which are written by leading Shakespeare scholars, detail the range of issues; social, political, ethical, and aesthetic--to be found in the theatrical performance of diverse and sometimes competing languages and gestures of embodied, sensory perception on Shakespeare's stage. An important investment of many of the essays is to demonstrate how neglected legacies of philosophical scepticism and materialist developments in phenomenological thought shed light on the performative range of gender as embodied and voiced in Shakespeare's dramaturgy. The scope of the volume thus presents a timely survey of recent and innovative thinking about the critical role of the senses in Shakespeare.

ISBN: 9780230299092 (electronic bk.)

Source: 417644Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

88277
Shakespeare, William,
1564-1616--Criticism and interpretation--20th century.Subjects--Topical Terms:

212136
Senses and sensation in literature.
Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PR2976 / .K646 2010

Dewey Class. No.: 822.3/3

Knowing Shakespeare = senses, embodiment and cognition /
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505 0 $a Macbeth and the perils of conjecture / Sean H. McDowell -- Eying and wording in Cymbeline / Bruce R. Smith -- 'O, she's warm': touch in The winter's tale / Evelyn Tribble -- Falling into extremity / Patricia Cahill -- Roman world, Egyptian earth: cognitive difference in Shakespeare's Antony and Cleopatra / Mary Thomas Crane -- Hamlet in motion / Shankar Raman -- Artifactual knowledge in Hamlet / Howard Marchitello -- 'Rich eyes and poor hands': theaters of early modern experience / Adam Rzepka -- 'Repeat to me the words of the echo': listening to The tempest / Allison Kay Deutermann -- Mind the gaps: the ear, the eye, and the senses of a woman in Much ado about nothing / Diana E. Henderson.
520 $a Knowing Shakespeare describes the rich variance of embodied and sensory perception in early modern culture. The volume's cross-disciplinary emphasis enhances understanding of the 'sense' of sensing in Shakespeare's idiom by bringing schemes from early modern natural philosophy and rhetorical arts into critical conversation with concepts drawn from historical phenomenology, cognitive science and trauma theory. Collectively the essays, many of which are written by leading Shakespeare scholars, detail the range of issues; social, political, ethical, and aesthetic--to be found in the theatrical performance of diverse and sometimes competing languages and gestures of embodied, sensory perception on Shakespeare's stage. An important investment of many of the essays is to demonstrate how neglected legacies of philosophical scepticism and materialist developments in phenomenological thought shed light on the performative range of gender as embodied and voiced in Shakespeare's dramaturgy. The scope of the volume thus presents a timely survey of recent and innovative thinking about the critical role of the senses in Shakespeare.
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