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Extramural Shakespeare
~
Shakespeare, William, (1564-1616.)
Extramural Shakespeare
紀錄類型:
書目-電子資源 : 單行本
正題名/作者:
Extramural Shakespeare/
作者:
Albanese, Denise.
出版者:
Basingstoke :Palgrave Macmillan, : 2010.,
面頁冊數:
1 online resource (196 p.)
標題:
1564-1616. -
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9780230112940
ISBN:
9780230112940
Extramural Shakespeare
Albanese, Denise.
Extramural Shakespeare
[electronic resource]. - Basingstoke :Palgrave Macmillan,2010. - 1 online resource (196 p.)
Cover; Contents; List of Illustrations; Acknowledgments; Introduction: Shakespeare in Public; 1 Reframing Shakespeare for the Millennium: American Culture, "Elites," the Academy--and Beyond; 2 Pacino's Cliffs Notes: Looking for Richard's "Public" Shakespeare; 3 Shakespeare Goes to School; 4 The Shakespeare Film, the Market, and the Americanization of Culture; 5 Social Dreaming and Making Shakespeare Matter; Notes; Works Cited; Index.
This study argues that Shakespeare can now be understood as part of public culture. Thanks to the emergence of mass education in the twentieth century, Albanese argues that Shakespeare has become a shared property, despite the depiction of his texts as 'elite' cultural objects in the film industry.
ISBN: 9780230112940Subjects--Personal Names:
91976
Shakespeare, William,
1564-1616.Subjects--Topical Terms:
231669
1564-1616.
Index Terms--Genre/Form:
96803
Electronic books.
LC Class. No.: PR2976 / .A55 2010
Dewey Class. No.: 822.3/3
Extramural Shakespeare
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[electronic resource].
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1 online resource (196 p.)
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Cover; Contents; List of Illustrations; Acknowledgments; Introduction: Shakespeare in Public; 1 Reframing Shakespeare for the Millennium: American Culture, "Elites," the Academy--and Beyond; 2 Pacino's Cliffs Notes: Looking for Richard's "Public" Shakespeare; 3 Shakespeare Goes to School; 4 The Shakespeare Film, the Market, and the Americanization of Culture; 5 Social Dreaming and Making Shakespeare Matter; Notes; Works Cited; Index.
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This study argues that Shakespeare can now be understood as part of public culture. Thanks to the emergence of mass education in the twentieth century, Albanese argues that Shakespeare has become a shared property, despite the depiction of his texts as 'elite' cultural objects in the film industry.
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