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The rise of performance studies = rethinking Richard Schechner's broad spectrum /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The rise of performance studies/ edited by James Harding and Cindy Rosenthal.
Reminder of title:	rethinking Richard Schechner's broad spectrum /
other author:	Harding, James Martin,
Published:	Basingstoke :Palgrave Macmillan, : 2011.,
Description:	1 online resource (312 p.)
Notes:	Includes index.
Subject:	Theater - Anthropological aspects. -
Online resource:	An electronic book accessible through the World Wide Web; click for information
ISBN:	9780230306059 (electronic bk.)

The rise of performance studies = rethinking Richard Schechner's broad spectrum /
The rise of performance studiesrethinking Richard Schechner's broad spectrum /[electronic resource] :edited by James Harding and Cindy Rosenthal. - Basingstoke :Palgrave Macmillan,2011. - 1 online resource (312 p.) - Studies in international performance.

Includes index.

The Rise of Performance Studies: An Introduction; J. Harding & C. Rosenthal -- PART I: PERFORMANCE/THEATRE/STUDIES -- Performance Studies and the Enhancement of Theatre Studies; M. Carlson -- In Defence of the String Quartet: An Open Letter to Richard Schechner; S. Bottoms -- Experimenting with an Unfinished Discipline: Richard Schechner, the Avant-Garde and Performance Studies; J. Harding & C. Rosenthal -- PART II: PERFORMANCE STUDIES GENEALOGIES -- Wayang Studies?; P. Rae -- Today I am a Field: Performance Studies Comes of Age; H. Bial -- Richard Schechner and Performance Studies in China; P. Yongwen & Y. Jiancun -- Australian Performance Studies Marginally Off Centre; P. Eckersall -- PART III: WORKING WITH RICHARD -- Reactuals: From Personal to Critical and Back; R. Schneider -- Fanning the Flames: Richard Schechner's TDR; M. Sandford -- Liminal Richard: Approaches to Performance Studies; J. Emigh -- The Broadest Spectrum of Pluralities: Performance Studies, Theatre Practices, Theatre Histories, and Beyond; P. Zarrilli -- PART IV: PRACTICING PERFORMANCE: SCHECHNER AMONG THE PERFORMERS. -- Richard Schechner; J. Malina -- Interview; J. MacIntosh -- Interview; E. LeCompte -- For Richard; A.D. Smith -- Performing Against the Backdrop of the War on Terror; G. Gomez-Pena -- PART V: ENGAGING DIALOGUE: SCHECHNER AS CRITICAL INTERLOCUTOR -- Trauma as Durational Performance; D. Taylor -- Medical Clowning and Performance Theory; A. Citron -- Restored Restored Behavior or the Emperor of California Roll: 1989-90 Japanese Imperial Rites of Funeral and Enthronement; T. Yuichiro -- 'Deep Play, Dark Play': Framing the Limit(less); J. Roach.

The essays in this anthology are situated within the larger context of a critical engagement with Richard Schechner's work as a theatre practitioner, teacher, scholar, activist, and visionary. Through a wide variety of approaches, the contributors acknowledge the profound impact that Schechner's work has had on our understanding of performance as a mode of cultural practice and on the emergence of Performance Studies as a discipline. Some essays are embedded in intensely personal reflections on Schechner's work as a practitioner and teacher, while others take stock of critical concepts that are central to Schechner's work as a theorist and scholar. Yet it is not enough to say that the essays offer a critical survey of the broad spectrum of Schechner's cultural and intellectual endeavours. The essays all converge in an acknowledgement that few individuals within the theatre and performance communities have positioned their work so consistently or so consequentially as Schechner has within the key debates that have defined Performance Studies as a discipline.

ISBN: 9780230306059 (electronic bk.)

Source: 394103Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

234725
Schechner, Richard,
1934---Criticism and interpretation.Subjects--Topical Terms:

234728
Theater
--Anthropological aspects.Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PN2041.A57 / R57 2011

Dewey Class. No.: 791

The rise of performance studies = rethinking Richard Schechner's broad spectrum /
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505 0 $a The Rise of Performance Studies: An Introduction; J. Harding & C. Rosenthal -- PART I: PERFORMANCE/THEATRE/STUDIES -- Performance Studies and the Enhancement of Theatre Studies; M. Carlson -- In Defence of the String Quartet: An Open Letter to Richard Schechner; S. Bottoms -- Experimenting with an Unfinished Discipline: Richard Schechner, the Avant-Garde and Performance Studies; J. Harding & C. Rosenthal -- PART II: PERFORMANCE STUDIES GENEALOGIES -- Wayang Studies?; P. Rae -- Today I am a Field: Performance Studies Comes of Age; H. Bial -- Richard Schechner and Performance Studies in China; P. Yongwen & Y. Jiancun -- Australian Performance Studies Marginally Off Centre; P. Eckersall -- PART III: WORKING WITH RICHARD -- Reactuals: From Personal to Critical and Back; R. Schneider -- Fanning the Flames: Richard Schechner's TDR; M. Sandford -- Liminal Richard: Approaches to Performance Studies; J. Emigh -- The Broadest Spectrum of Pluralities: Performance Studies, Theatre Practices, Theatre Histories, and Beyond; P. Zarrilli -- PART IV: PRACTICING PERFORMANCE: SCHECHNER AMONG THE PERFORMERS. -- Richard Schechner; J. Malina -- Interview; J. MacIntosh -- Interview; E. LeCompte -- For Richard; A.D. Smith -- Performing Against the Backdrop of the War on Terror; G. Gomez-Pena -- PART V: ENGAGING DIALOGUE: SCHECHNER AS CRITICAL INTERLOCUTOR -- Trauma as Durational Performance; D. Taylor -- Medical Clowning and Performance Theory; A. Citron -- Restored Restored Behavior or the Emperor of California Roll: 1989-90 Japanese Imperial Rites of Funeral and Enthronement; T. Yuichiro -- 'Deep Play, Dark Play': Framing the Limit(less); J. Roach.
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