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Queer voices = technologies, vocalities, and the musical flaw /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Queer voices/ Freya Jarman-Ivens.
Reminder of title:	technologies, vocalities, and the musical flaw /
Author:	Jarman-Ivens, Freya.
Published:	New York :Palgrave Macmillan, : 2011.,
Description:	1 online resource.
Subject:	Gender identity in music. -
Online resource:	An electronic book accessible through the World Wide Web; click for information
ISBN:	9780230119550 (electronic bk.)

Queer voices = technologies, vocalities, and the musical flaw /
Jarman-Ivens, Freya.

Queer voicestechnologies, vocalities, and the musical flaw /[electronic resource] :Freya Jarman-Ivens. - New York :Palgrave Macmillan,2011. - 1 online resource. - Palgrave Macmillan's critical studies in gender, sexuality, and culture. - Palgrave Macmillan's critical studies in gender, sexuality, and culture..

Includes bibliographical references and index.

Identification * Karen Carpenter * Maria Callas * Diamanda Galas * Coda.

"Queer Voices sets out both to queer the musicological and to make queer audible, arguing that the voice, particularly the singing voice, opens up a richly queer space. Using case studies from different repertoires, the book demonstrates how queer emerges particularly audibly when the voice is heard to engage with various technologies: the external technologies of music performances and recordings, technologies of power, or the internal technologies of vocal production itself"--

ISBN: 9780230119550 (electronic bk.)

Source: 527036Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

235061
Callas, Maria,
1923-1977--Criticism and interpretation.Subjects--Topical Terms:

235065
Gender identity in music.
Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: ML3877 / .J37 2011

Dewey Class. No.: 780.86/6

Queer voices = technologies, vocalities, and the musical flaw /
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520 $a "Queer Voices sets out both to queer the musicological and to make queer audible, arguing that the voice, particularly the singing voice, opens up a richly queer space. Using case studies from different repertoires, the book demonstrates how queer emerges particularly audibly when the voice is heard to engage with various technologies: the external technologies of music performances and recordings, technologies of power, or the internal technologies of vocal production itself"-- $c Provided by publisher.
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