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The politics of affect and emotion in contemporary Latin American cinema = Argentina, Brazil, Cuba, and Mexico /

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	The politics of affect and emotion in contemporary Latin American cinema/ Laura Podalsky.
其他題名:	Argentina, Brazil, Cuba, and Mexico /
作者:	Podalsky, Laura,
出版者:	New York :Palgrave Macmillan, : 2011.,
面頁冊數:	1 online resource (x, 218 p.)
標題:	Motion pictures - Political aspects - Latin America. -
電子資源:	An electronic book accessible through the World Wide Web; click for information
ISBN:	9780230120112 (electronic bk.)

The politics of affect and emotion in contemporary Latin American cinema = Argentina, Brazil, Cuba, and Mexico /
Podalsky, Laura,1964-

The politics of affect and emotion in contemporary Latin American cinemaArgentina, Brazil, Cuba, and Mexico /[electronic resource] :Laura Podalsky. - New York :Palgrave Macmillan,2011. - 1 online resource (x, 218 p.)

Includes bibliographical references and index.

Between Neo-realist Sentimentality and Modernist Shock: New Latin American Cinema and Beyond * Thrilling Histories: Questions of Genre and History * Affecting Legacies: Contemporary Structures of Feeling * Alien/Nation: Contemporary Youth in Film * Emotional Investments: Global Networks and Transnational Affective Communities.

This book explores the role of emotion and affect in recent Latin American cinemas (1990s-2000s) in the context of larger public debates about past traumas and current anxieties. To address this topic, it examines some of the most significant trends in contemporary Latin American filmmaking, including the emergence of the thriller as a preferred genre to address the legacies of the 1960s and 1970s; the rise of "youth" films about globally-connected and disaffected young adults; and the proliferation of transnational productions by "traveling" filmmakers that encourage audiences to feel for "others." The book features close textual analysis of individual films from Argentina, Brazil, Chile, Cuba, and Mexico; as well as commentary on the changing structure of Latin American film industries. It frames those analyses within a discussion of recent critical and theoretical debates about affect, sentimentalism and compassion, particularly as they relate to film.

ISBN: 9780230120112 (electronic bk.)

Source: 528062Palgrave Macmillanhttp://www.palgraveconnect.com

Nat. Bib. Agency Control No.: 015757525UkSubjects--Topical Terms:

235648
Motion pictures
--Political aspects--Latin America.

LC Class. No.: PN1993.5.L3 / P63 2011

Dewey Class. No.: 791.43098/09051

The politics of affect and emotion in contemporary Latin American cinema = Argentina, Brazil, Cuba, and Mexico /
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520 $a This book explores the role of emotion and affect in recent Latin American cinemas (1990s-2000s) in the context of larger public debates about past traumas and current anxieties. To address this topic, it examines some of the most significant trends in contemporary Latin American filmmaking, including the emergence of the thriller as a preferred genre to address the legacies of the 1960s and 1970s; the rise of "youth" films about globally-connected and disaffected young adults; and the proliferation of transnational productions by "traveling" filmmakers that encourage audiences to feel for "others." The book features close textual analysis of individual films from Argentina, Brazil, Chile, Cuba, and Mexico; as well as commentary on the changing structure of Latin American film industries. It frames those analyses within a discussion of recent critical and theoretical debates about affect, sentimentalism and compassion, particularly as they relate to film.
520 $a "This book explores the role of emotion and affect in recent Latin American cinemas (1990s-2000s) in the context of larger public debates about past traumas and current anxieties. To address this topic, it examines some of the most significant trends in contemporary Latin American filmmaking, including the emergence of the thriller as a preferred genre to address the legacies of the 1960s and 1970s; the rise of "youth" films about globally-connected and disaffected young adults; and the proliferation of transnational productions by "traveling" filmmakers that encourage audiences to feel for "others." The book features close textual analysis of individual films from Argentina, Brazil, Chile, Cuba, and Mexico; as well as commentary on the changing structure of Latin American film industries. It frames those analyses within a discussion of recent critical and theoretical debates about affect, sentimentalism and compassion, particularly as they relate to film"-- $c Provided by publisher.
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