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Psychoanalyzing cinema = a productive encounter with Lacan, Deleuze, and Zizek /

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	Psychoanalyzing cinema/ [edited by] Jan Jagodzinski.
其他題名:	a productive encounter with Lacan, Deleuze, and Zizek /
其他作者:	Jagodzinski, Jan,
出版者:	New York, NY :Palgrave Macmillan, : [2012],
面頁冊數:	1 online resource.
標題:	Psychoanalysis and motion pictures. -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137116949
ISBN:	9781137116949 (electronic bk.)

Psychoanalyzing cinema = a productive encounter with Lacan, Deleuze, and Zizek /
Psychoanalyzing cinemaa productive encounter with Lacan, Deleuze, and Zizek /[electronic resource] :[edited by] Jan Jagodzinski. - New York, NY :Palgrave Macmillan,[2012] - 1 online resource.

Includes bibliographical references.

"Brings together and compares/contrasts the writing/influence of the two most important theorists in film studies today: Gilles Deleuze and Slavoj Zizek"--

ISBN: 9781137116949 (electronic bk.)

Source: 612743Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

236483
Lacan, Jacques,
1901-1981--Criticism and interpretation.Subjects--Topical Terms:

236485
Psychoanalysis and motion pictures.
Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PN1995.9.P783 / P795 2012

Dewey Class. No.: 791.43/653

Psychoanalyzing cinema = a productive encounter with Lacan, Deleuze, and Zizek /
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245 0 0 $a Psychoanalyzing cinema $h [electronic resource] : $b a productive encounter with Lacan, Deleuze, and Zizek / $c [edited by] Jan Jagodzinski.
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300 $a 1 online resource.
504 $a Includes bibliographical references.
520 $a "Brings together and compares/contrasts the writing/influence of the two most important theorists in film studies today: Gilles Deleuze and Slavoj Zizek"-- $c Provided by publisher.
520 $a "Psychoanalysis and schizoanalysis have provided two very powerful approaches to film and its theorization. While the former approach has certainly held the field in terms of theory, the latter position has emerged as its rival, forcing an encounter that needs to be taken seriously. Where does one approach leave off and the other begin? Is there such a break, or has such a line been 'trumped up' by both sides to hold on to their territories? Are both approaches necessary to one another, recalling that Deleuze and Guattari's criticism of psychoanalysis was basically confined to Freud at first. They were quite satisfied with Lacan's development of objet a, or at least as they wrote about it in Anti-Oedipus. A number of theorists have argued that Deleuze and Guattari have 'simply' continued to articulate the Real. To what extent can objet a and the Deleuzian 'event' be theorized as synonymous or complementary concepts? Is the Lacanian sinthome as applied to film comparable to schizoanalysis of film, and what might that be? This is to say, the late Lacan is much more useful to the question(s) than the Lacan of Screen theory etc. A productive encounter (I am utilizing this grapheme ( \/ ) specifically for this encounter) needs to take place to explore the tensions as well as the overlaps that exist between these two approaches. These essays attempt to do just that"-- $c Provided by publisher.
588 $a Description based on print version record.
600 1 0 $a Lacan, Jacques, $d 1901-1981 $x Criticism and interpretation. $3 236483
600 1 0 $a Deleuze, Gilles, $d 1925-1995 $x Criticism and interpretation. $3 232091
600 1 0 $a Žižek, Slavoj $x Criticism and interpretation. $3 236484
650 0 $a Psychoanalysis and motion pictures. $3 236485
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650 7 $a PERFORMING ARTS / Film & Video / History & Criticism. $2 bisacsh $3 221535
650 7 $a PERFORMING ARTS / Film & Video / Screenwriting. $2 bisacsh $3 236486
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655 4 $a Electronic books. $2 local. $3 96803
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