新生學校財團法人新生醫護管理專科學校圖書館 |

Post-war modernist cinema and philosophy = confronting negativity and time /

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	Post-war modernist cinema and philosophy/ Hamish Ford.
其他題名:	confronting negativity and time /
作者:	Ford, Hamish,
出版者:	Houndsmills, Basingstoke, Hampshire ;Palgrave Macmillan, : 2012.,
面頁冊數:	1 online resource.
標題:	Motion pictures - Philosophy. -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137283528
ISBN:	9781137283528 (electronic bk.)

Post-war modernist cinema and philosophy = confronting negativity and time /
Ford, Hamish,1970-

Post-war modernist cinema and philosophyconfronting negativity and time /[electronic resource] :Hamish Ford. - Houndsmills, Basingstoke, Hampshire ;Palgrave Macmillan,2012. - 1 online resource.

Includes bibliographical references and index.

Introduction -- PART I: THE NEGATIVE IMPRESSION -- Cinema's Ontological Challenge -- Reflexive Formal Violence -- PART II: AN ANXIOUS PAUSE -- Dangerous Temporalities -- A New World.

Directly contributing to the growing interdisciplinary areas of film-philosophy and modernist studies, as well as film history and theory, Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time analyses four exemplary 1960s European films. Persona (Ingmar Bergman, 1966) and Two or Three Things I Know About Her (Jean-Luc Godard, 1966) are addressed for their unique contributions to the philosophical understanding of negativity, a discussion for which German philosopher Theodor Adorno's late work is the main literary source. Last Year in Marienbad (Alain Resnais, 1961) and L'eclisse (Michelangelo Antonioni, 1962) are read through their contrasting subversive renderings of temporality, an analysis selectively utilising French philosopher Gilles Deleuze's notion of the 'time-image'. Appropriate for both academic readers and informed general enthusiasts of the cinema it addresses, the book demonstrates both philosophy's particular usefulness for the analysis of modernist cinema and film form's inherent potential for radical philosophical impact.

ISBN: 9781137283528 (electronic bk.)

Source: 550238Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

88314
Motion pictures
--Philosophy.Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PN1995 / .F595 2012

Dewey Class. No.: 791.4301

Post-war modernist cinema and philosophy = confronting negativity and time /
LDR:03061cmm a2200457Ka 4500 001 131505
003 OCoLC
005 20130621115117.0
006 m o d
007 cr cn|||||||||
008 160105s2012 nyu ob 001 0 eng d
019 $a 817540311
020 $a 9781137283528 (electronic bk.)
020 $a 1137283521 (electronic bk.)
020 $a 9780230368873 (Cloth)
020 $a 0230368875 (Cloth)
020 $a 9781283737807 (MyiLibrary)
020 $a 1283737809 (MyiLibrary)
029 1 $a AU@ $b 000050207140
029 1 $a NZ1 $b 14810966
035 $a (OCoLC)815766994 $z (OCoLC)817540311
035 $a ocn815766994
037 $a 550238 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $c UKPGM $d OCLCO $d YDXCP $d N$T $d CDX $d E7B
049 $a TEFA
050 4 $a PN1995 $b .F595 2012
072 7 $a PER $x 004030 $2 bisacsh
082 0 4 $a 791.4301 $2 23
100 1 $a Ford, Hamish, $d 1970- $3 236629
245 1 0 $a Post-war modernist cinema and philosophy $h [electronic resource] : $b confronting negativity and time / $c Hamish Ford.
260 $a Houndsmills, Basingstoke, Hampshire ; $a New York : $c 2012. $b Palgrave Macmillan,
300 $a 1 online resource.
504 $a Includes bibliographical references and index.
505 0 $a Introduction -- PART I: THE NEGATIVE IMPRESSION -- Cinema's Ontological Challenge -- Reflexive Formal Violence -- PART II: AN ANXIOUS PAUSE -- Dangerous Temporalities -- A New World.
520 $a Directly contributing to the growing interdisciplinary areas of film-philosophy and modernist studies, as well as film history and theory, Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time analyses four exemplary 1960s European films. Persona (Ingmar Bergman, 1966) and Two or Three Things I Know About Her (Jean-Luc Godard, 1966) are addressed for their unique contributions to the philosophical understanding of negativity, a discussion for which German philosopher Theodor Adorno's late work is the main literary source. Last Year in Marienbad (Alain Resnais, 1961) and L'eclisse (Michelangelo Antonioni, 1962) are read through their contrasting subversive renderings of temporality, an analysis selectively utilising French philosopher Gilles Deleuze's notion of the 'time-image'. Appropriate for both academic readers and informed general enthusiasts of the cinema it addresses, the book demonstrates both philosophy's particular usefulness for the analysis of modernist cinema and film form's inherent potential for radical philosophical impact.
588 $a Description based on print version record.
650 0 $a Motion pictures $x Philosophy. $3 88314
650 0 $a Time in motion pictures. $3 214481
650 7 $a PERFORMING ARTS / Film & Video / History & Criticism $2 bisacsh $3 236630
655 4 $a Electronic books. $2 local. $3 96803
776 0 8 $i Print version: $a Ford, Hamish, 1970- $t Post-war modernist cinema and philosophy. $d Houndsmills, Basingstoke, Hampshire ; New York : Palgrave Macmillan, 2012 $z 9780230368873 $w (DLC) 2012034812 $w (OCoLC)796757161
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137283528
938 $a YBP Library Services $b YANK $n 9906669
938 $a EBSCOhost $b EBSC $n 502053
938 $a Coutts Information Services $b COUT $n 24150247 $c 55.00 GBP
938 $a ebrary $b EBRY $n ebr10621918
994 $a C0 $b TEF