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Performance, space, utopia = cities ...
~
Jestrovic, Silvija, (1970-)
Performance, space, utopia = cities of war, cities of exile /
紀錄類型:
書目-電子資源 : 單行本
正題名/作者:
Performance, space, utopia/ Silvija Jestrovic.
其他題名:
cities of war, cities of exile /
作者:
Jestrovic, Silvija,
出版者:
Houndmills, Basingstoke, Hampshire :Palgrave Macmillan, : 2013.,
面頁冊數:
1 online resource (pages cm.)
標題:
Theater - Political aspects - 20th century. - Serbia -
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137291677
ISBN:
9781137291677 (electronic bk.)
Performance, space, utopia = cities of war, cities of exile /
Jestrovic, Silvija,1970-
Performance, space, utopia
cities of war, cities of exile /[electronic resource] :Silvija Jestrovic. - Houndmills, Basingstoke, Hampshire :Palgrave Macmillan,2013. - 1 online resource (pages cm.) - Studies in international performance.
List of Illustrations -- Series Preface -- Acknowledgements -- Cities of War, Cities of Exile: Introduction -- PART I: BELGRADE - THE CITY OF SPECTACLE -- City-as-Action -- At the Confluence of Utopia and Seduction -- Epilogue: Endemic Geopathologies -- Part II: SARAJEVO: IMAGINARIES AND EMBODIMENTS -- Waiting for Godot: Sarajevo and its Interpretations -- City-as-Body -- Theatricality vs. Bare Life -- Theatre as Ideal City -- PART III: CITY OF EXILE -- In the Comfort of Non-Place -- Bibliography -- Index.
The war in the Balkans that took place between 1991-1995 forms the context of this book. It has been variously viewed as ethnic strife, religious conflict, or civil war but seldom has it been described as a war against cities. Belgrade and Sarajevo offer a fascinating comparative case study, not only because the two cities belong to the same historical narrative of the breakdown of Yugoslavia, but because of the ways in which their various performances both complement and contradict one another. This book examines how performance and theatricality became modes of being and acting in the city, even strategies of physical and ethical survival; yet so often it is exile, both as marginalisation within and exodus from the city, that emerges as the defining consequence of living in Sarajevo or Belgrade in the 1990s.
ISBN: 9781137291677 (electronic bk.)
Source: 495996Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
236934
Theater
--Political aspects--Serbia--20th century.Index Terms--Genre/Form:
96803
Electronic books.
LC Class. No.: PN2859.S46 / J47 2013
Dewey Class. No.: 792.094971
Performance, space, utopia = cities of war, cities of exile /
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List of Illustrations -- Series Preface -- Acknowledgements -- Cities of War, Cities of Exile: Introduction -- PART I: BELGRADE - THE CITY OF SPECTACLE -- City-as-Action -- At the Confluence of Utopia and Seduction -- Epilogue: Endemic Geopathologies -- Part II: SARAJEVO: IMAGINARIES AND EMBODIMENTS -- Waiting for Godot: Sarajevo and its Interpretations -- City-as-Body -- Theatricality vs. Bare Life -- Theatre as Ideal City -- PART III: CITY OF EXILE -- In the Comfort of Non-Place -- Bibliography -- Index.
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The war in the Balkans that took place between 1991-1995 forms the context of this book. It has been variously viewed as ethnic strife, religious conflict, or civil war but seldom has it been described as a war against cities. Belgrade and Sarajevo offer a fascinating comparative case study, not only because the two cities belong to the same historical narrative of the breakdown of Yugoslavia, but because of the ways in which their various performances both complement and contradict one another. This book examines how performance and theatricality became modes of being and acting in the city, even strategies of physical and ethical survival; yet so often it is exile, both as marginalisation within and exodus from the city, that emerges as the defining consequence of living in Sarajevo or Belgrade in the 1990s.
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"The war in the Balkans that took place between 1991-1995 forms the context of this book. It has been variously viewed as ethnic strife, religious conflict, or civil war but seldom has it been described as a war against cities. Belgrade and Sarajevo offer a fascinating comparative case study, not only because the two cities belong to the same historical narrative of the breakdown of Yugoslavia, but because of the ways in which their various performances both complement and contradict one another. This book examines how performance and theatricality became modes of being and acting in the city, even strategies of physical and ethical survival; yet so often it is exile, both as marginalisation within and exodus from the city, that emerges as the defining consequence of living in Sarajevo or Belgrade in the 1990s. "--
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