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The symbolic, the sublime, and Slavo...
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Žižek, Slavoj
The symbolic, the sublime, and Slavoj Žižek's theory of film
Record Type:
Electronic resources : Monograph/item
Title/Author:
The symbolic, the sublime, and Slavoj Žižek's theory of film/ Matthew Flisfeder.
Author:
Flisfeder, Matthew,
Published:
New York :Palgrave Macmillan, : 2012.,
Description:
1 online resource (195 p.) :ill. :
Subject:
Motion pictures - Philosophy. -
Online resource:
An electronic book accessible through the World Wide Web; click for information
ISBN:
9781137110749 (electronic bk.)
The symbolic, the sublime, and Slavoj Žižek's theory of film
Flisfeder, Matthew,1980-
The symbolic, the sublime, and Slavoj Žižek's theory of film
[electronic resource] /Matthew Flisfeder. - New York :Palgrave Macmillan,2012. - 1 online resource (195 p.) :ill.
Includes bibliographical references (p. [169]-190) and index.
From film theory to post-theory -- Sublime objects of cinema -- Class struggle in film studies -- Interlude: the pervert and the analyst -- Cinema, ideology, and form -- Enjoyment in the cinema -- Conclusion: theory as realism set in drive.
Slavoj Žižek is one of the world's most important contemporary public intellectuals. Much of his popularity stems from his constant and recurring references to popular culture and cinema, as well as his own appearances in films such as "The Pervert's Guide to Cinema" and "Examined Life". Although Slavoj Žižek refers to cinema in order to help explain difficult concepts in his theoretical writing, film scholars question whether Slavoj Žižek has his own theory of film. This book argues that Slavoj Žižek's writing on film radically reorients the scope of contemporary film studies. Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
ISBN: 9781137110749 (electronic bk.)
Source: 612123Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:
236484
Žižek, Slavoj
--Criticism and interpretation.Subjects--Topical Terms:
88314
Motion pictures
--Philosophy.Index Terms--Genre/Form:
96803
Electronic books.
LC Class. No.: PN1995 / .F565 2012
Dewey Class. No.: 791.4301
The symbolic, the sublime, and Slavoj Žižek's theory of film
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Matthew Flisfeder.
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Includes bibliographical references (p. [169]-190) and index.
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From film theory to post-theory -- Sublime objects of cinema -- Class struggle in film studies -- Interlude: the pervert and the analyst -- Cinema, ideology, and form -- Enjoyment in the cinema -- Conclusion: theory as realism set in drive.
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Slavoj Žižek is one of the world's most important contemporary public intellectuals. Much of his popularity stems from his constant and recurring references to popular culture and cinema, as well as his own appearances in films such as "The Pervert's Guide to Cinema" and "Examined Life". Although Slavoj Žižek refers to cinema in order to help explain difficult concepts in his theoretical writing, film scholars question whether Slavoj Žižek has his own theory of film. This book argues that Slavoj Žižek's writing on film radically reorients the scope of contemporary film studies. Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
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An electronic book accessible through the World Wide Web; click for information
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