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Semiotics of exile in contemporary Chinese film

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	Semiotics of exile in contemporary Chinese film/ Hong Zeng.
作者:	Zeng, Hong.
出版者:	New York, NY :Palgrave Macmillan, : 2012.,
面頁冊數:	1 online resource.
標題:	Emigration and immigration in motion pictures. -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137031631
ISBN:	9781137031631 (electronic bk.)

Semiotics of exile in contemporary Chinese film
Zeng, Hong.

Semiotics of exile in contemporary Chinese film[electronic resource] /Hong Zeng. - New York, NY :Palgrave Macmillan,2012. - 1 online resource. - Semiotics and popular culture. - Semiotics and popular culture..

Includes bibliographical references.

Introduction -- Semiotics of photography and exile -- Postmodernism and semiotics of exile -- Female doubling and postcolonial exile -- Semiotics of exile and genre upsetting: Xin Jin's subversion of melodrama in "Hibiscus town" -- Failure of root-searching in Cheng Kaige -- Semiotics of exile and displaced film codes: Jia Zhangke's three films -- Conclusion.

Examines film form as a language that generates meaning through film codes, demonstrating that the motif of exile is not only a crucial characteristic of mainland China in its postsocialist, postmodern era and age of globalization, but also a defining frame for Taiwan and Hong Kong with their colonialist pasts.

ISBN: 9781137031631 (electronic bk.)

Source: 567813Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

218293
Emigration and immigration in motion pictures.
Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PN1995.9.E44 / Z46 2012

Dewey Class. No.: 791.430951

Semiotics of exile in contemporary Chinese film
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505 0 $a Introduction -- Semiotics of photography and exile -- Postmodernism and semiotics of exile -- Female doubling and postcolonial exile -- Semiotics of exile and genre upsetting: Xin Jin's subversion of melodrama in "Hibiscus town" -- Failure of root-searching in Cheng Kaige -- Semiotics of exile and displaced film codes: Jia Zhangke's three films -- Conclusion.
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