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Aesthetics and politics in the Mexic...

MacLaird, Misha, (1973-)

Aesthetics and politics in the Mexican film industry

Record Type:	Electronic resources : Monograph/item
Title/Author:	Aesthetics and politics in the Mexican film industry/ Misha MacLaird.
Author:	MacLaird, Misha,
Published:	New York :Palgrave Macmillan, : 2013.,
Description:	1 online resource.
Subject:
ISBN:	9781137319340 (electronic bk.)

Aesthetics and politics in the Mexican film industry
MacLaird, Misha,1973-

Aesthetics and politics in the Mexican film industry[electronic resource] /Misha MacLaird. - New York :Palgrave Macmillan,2013. - 1 online resource. - Studies of the Americas.

Una?poca fatal: An Era of Fatality, Tragic Endings, and New Beginnings -- PART I: THE POLITICS OF TRANSITION -- 1. Industry and Policy: Privatizing a National Cinema -- 2. Audiences and Markets: On Spectatorship and Citizenship -- 3. Censorship and Sensationalism: Neotremendismo autoritario -- PART II: THE AESTHETICS OF TRANSITION -- 4. Hyperrealism and Violence: Fatal Aesthetics -- 5. Independence and Innovation: Indie Film and the Youth Market -- 6. Coproduction and Transnationalism: National Culture in a Global Marketplace -- 7. Between Tragedy and Farce: Mexico and Its Cinema Relive History.#

Evaluating a broad selection of Mexican films produced from theearly 1990s to the present, this study examines how production methods, audiencedemographics, and aesthetic approaches have changed throughout the past two decadesand how these changes relate to the country's transitions to a democratic politicalsystem and a free-market economy.

ISBN: 9781137319340 (electronic bk.)

Source: 577305Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

72593

Index Terms--Genre/Form:

239592

LC Class. No.: PN1993.5.M4

Dewey Class. No.: 791.430972

Aesthetics and politics in the Mexican film industry
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490 1 $a Studies of the Americas
505 0 $a Una?poca fatal: An Era of Fatality, Tragic Endings, and New Beginnings -- PART I: THE POLITICS OF TRANSITION -- 1. Industry and Policy: Privatizing a National Cinema -- 2. Audiences and Markets: On Spectatorship and Citizenship -- 3. Censorship and Sensationalism: Neotremendismo autoritario -- PART II: THE AESTHETICS OF TRANSITION -- 4. Hyperrealism and Violence: Fatal Aesthetics -- 5. Independence and Innovation: Indie Film and the Youth Market -- 6. Coproduction and Transnationalism: National Culture in a Global Marketplace -- 7. Between Tragedy and Farce: Mexico and Its Cinema Relive History.#
520 $a Evaluating a broad selection of Mexican films produced from theearly 1990s to the present, this study examines how production methods, audiencedemographics, and aesthetic approaches have changed throughout the past two decadesand how these changes relate to the country's transitions to a democratic politicalsystem and a free-market economy.
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