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Cinema and society in the British em...

Burns, James, (1963-)

Cinema and society in the British empire, 1895-1940

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	Cinema and society in the British empire, 1895-1940/ James Burns, associate professor, Clemson University.
作者:	Burns, James,
出版者:	Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan, : 2013.,
面頁冊數:	1 online resource (pages cm.)
標題:	PSYCHOLOGY / Social Psychology -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137308023
ISBN:	9781137308023 (electronic bk.)

Cinema and society in the British empire, 1895-1940
Burns, James,1963-

Cinema and society in the British empire, 1895-1940[electronic resource] /James Burns, associate professor, Clemson University. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2013. - 1 online resource (pages cm.)

Introduction -- The birth of the cinema age -- Silents in the empire -- Uplifting the empire: colonial cinema and the educational film-movement, 1913-1940 -- The era of the talkies -- Conclusion.

This is the first study of the social history of the movies in Britain's tropical empire. Drawing on a wide array of sources, it reconstructs the emergence of movie-going as a form of public leisure in British territories from Singapore to Guiana. The book demonstrates that, by the eve of the Second World War, movies had become woven into the fabric of urban life, and were infiltrating into the most remote corners of the countryside. As the movies grew in prominence, their popularity sparked debates about empire and identity that resonated across the globe.

ISBN: 9781137308023 (electronic bk.)

Source: 658344Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

227523
PSYCHOLOGY / Social Psychology
Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PN1995.9.S6 / B88 2013

Dewey Class. No.: 302.23/4309171241

Cinema and society in the British empire, 1895-1940
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520 $a This is the first study of the social history of the movies in Britain's tropical empire. Drawing on a wide array of sources, it reconstructs the emergence of movie-going as a form of public leisure in British territories from Singapore to Guiana. The book demonstrates that, by the eve of the Second World War, movies had become woven into the fabric of urban life, and were infiltrating into the most remote corners of the countryside. As the movies grew in prominence, their popularity sparked debates about empire and identity that resonated across the globe.
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