新生學校財團法人新生醫護管理專科學校圖書館 |

Shakespeare and the materiality of performance

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	Shakespeare and the materiality of performance/ Erika T. Lin.
作者:	Lin, Erika T.,
出版者:	New York, NY :Palgrave Macmillan, : 2012.,
面頁冊數:	1 online resource.
標題:	Theater audiences - History - 16th century. - England -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137006509
ISBN:	9781137006509 (electronic bk.)

Shakespeare and the materiality of performance
Lin, Erika T.,1972-

Shakespeare and the materiality of performance[electronic resource] /Erika T. Lin. - New York, NY :Palgrave Macmillan,2012. - 1 online resource.

Includes bibliographical references.

Performance effects. Introduction: materializing the immaterial -- Theorizing theatrical privilege: rethinking Weimann's concepts of Locus and Platea -- Theatrical ways of knowing. Staging sight: visual paradigms and perceptual strategies in Love's labor's lost -- Imaginary forces: allegory, mimesis, and audience interpretation in The Spanish tragedy -- Experiencing embodied spectacle. Dancing and other delights: spectacle and participation in Doctor Faustus and Macbeth -- Artful sport: violence, dismemberment, and games in Titus Andronicus, Cymbeline, and Doctor Faustus.

Many unspoken assumptions permeated the experience of performance in Shakespeare's theatre. Drawing on scientific treatises, murder pamphlets, travel narratives, dream manuals, religious sermons, festive sports, and other fascinating primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped not only dramatic narratives but also the presentational dynamics of onstage action. Combining literary criticism, theatre history, and performance theory, this ground-breaking study explodes received ideas about mimesis, spectacle, and semiotics as it uncovers the ways in which early modern performance functioned as a material medium, revising and producing social attitudes and practices.

ISBN: 9781137006509 (electronic bk.)

Standard No.: 9786613954268

Source: 565879Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

88277
Shakespeare, William,
1564-1616--Criticism and interpretation--20th century.Subjects--Topical Terms:

251512
Theater audiences
--History--England--16th century.Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PR3095 / .L56 2012

Dewey Class. No.: 792.0942

Shakespeare and the materiality of performance
LDR:03070cmm 2200469Ka 4500 001 138029
003 OCoLC
005 20121107094608.0
006 m d
007 cr cn|||||||||
008 160121s2012 nyu o 000 0 eng d
019 $a 812786640 $a 813397287
020 $a 9781137006509 (electronic bk.)
020 $a 1137006501 (electronic bk.)
020 $z 1137001062
020 $z 9781137001061
020 $a 6613954268
020 $a 9786613954268
024 8 $a 9786613954268
035 $a (OCoLC)812516100 $z (OCoLC)812786640 $z (OCoLC)813397287
035 $a ocn812516100
037 $a 565879 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $c UKPGM $d OCLCO $d CDX $d YDXCP $d N $d IDEBK
043 $a e-uk-en
049 $a TEFA
050 4 $a PR3095 $b .L56 2012
072 7 $a PER $x 011020 $2 bisacsh
072 7 $a AN $2 bicssc
082 0 4 $a 792.0942 $2 23
100 1 $a Lin, Erika T., $d 1972- $3 251511
245 1 0 $a Shakespeare and the materiality of performance $h [electronic resource] / $c Erika T. Lin.
260 $a New York, NY : $c 2012. $b Palgrave Macmillan,
300 $a 1 online resource.
504 $a Includes bibliographical references.
505 0 $a Performance effects. Introduction: materializing the immaterial -- Theorizing theatrical privilege: rethinking Weimann's concepts of Locus and Platea -- Theatrical ways of knowing. Staging sight: visual paradigms and perceptual strategies in Love's labor's lost -- Imaginary forces: allegory, mimesis, and audience interpretation in The Spanish tragedy -- Experiencing embodied spectacle. Dancing and other delights: spectacle and participation in Doctor Faustus and Macbeth -- Artful sport: violence, dismemberment, and games in Titus Andronicus, Cymbeline, and Doctor Faustus.
520 $a Many unspoken assumptions permeated the experience of performance in Shakespeare's theatre. Drawing on scientific treatises, murder pamphlets, travel narratives, dream manuals, religious sermons, festive sports, and other fascinating primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped not only dramatic narratives but also the presentational dynamics of onstage action. Combining literary criticism, theatre history, and performance theory, this ground-breaking study explodes received ideas about mimesis, spectacle, and semiotics as it uncovers the ways in which early modern performance functioned as a material medium, revising and producing social attitudes and practices.
588 $a Description based on print version record.
600 1 0 $a Shakespeare, William, $d 1564-1616 $x Criticism and interpretation $x History $y 20th century. $3 88277 $3 172857
650 0 $a Theater audiences $z England $z London $x History $y 16th century. $3 251512
650 0 $a Theater audiences $z England $z London $x History $y 17th century. $3 251513
650 0 $a Theater and society $z England $x History $y 16th century. $3 213249
650 0 $a Theater and society $z England $x History $y 17th century. $3 213248
650 7 $a PERFORMING ARTS / Theater / History & Criticism $2 bisacsh $3 235922
655 4 $a Electronic books. $2 local. $3 96803
776 0 8 $i Print version: $a Lin, Erika T., 1972- $t Shakespeare and the materiality of performance. $d New York, NY : Palgrave Macmillan, 2012 $z 9781137001061 $w (DLC) 2012011554 $w (OCoLC)784447335
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137006509
938 $a Coutts Information Services $b COUT $n 23613869
938 $a YBP Library Services $b YANK $n 9700918
938 $a EBSCOhost $b EBSC $n 492591
938 $a Ingram Digital eBook Collection $b IDEB $n 395426
994 $a C0 $b TEF