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Neoliberalism and global theatres = performance permutations /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Neoliberalism and global theatres/ edited by Lara D. Nielsen and Patricia Ybarra.
Reminder of title:	performance permutations /
other author:	Nielsen, Lara D.
Published:	New York, NY :Palgrave Macmillan, : 2012.,
Description:	1 online resource.
Subject:	Theater and society. -
Online resource:	An electronic book accessible through the World Wide Web; click for information
ISBN:	9781137035608 (electronic bk.)

Neoliberalism and global theatres = performance permutations /
Neoliberalism and global theatresperformance permutations /[electronic resource] :edited by Lara D. Nielsen and Patricia Ybarra. - New York, NY :Palgrave Macmillan,2012. - 1 online resource.

Includes bibliographical references and index.

Introduction: heterotopic transgressions and interventions: the (il)liberal neoliberal / Lara D. Nielsen -- Institutional strategies. Margaret Werry: Nintendo Museum: intercultural pedagogy, neoliberal citizenship, and a theatre without actors -- Sebastian Calder�on: Bent�n archaeologies of empire: colonial Hollywood and the neoliberal academy -- Eng-Beng Lim: Neoliberalism, the arts, and the global university -- David Savran: Branding the revolution: Hair redux -- Modes of Transmission. Patrick Anderson: I feel for you -- Karen Shimakawa: Staging a moving map in Byron Au Yong and Aaron Jafferis' Stuck elevator -- Patricia Ybarra: Fighting for a future in a free trade world -- Thomas F. Defrantz: Unchecked popularity: neoliberal circulations of black dance -- Formal economies. Khai Thu Nguyen: Model dissent: L'u Quang v' and the melodramatic performance of renovation in post-war Vietnmm -- Michal Kobialka: Representational practices and real abstractions in early eighteenth-century London -- Margaret M. Olsen: The gift of the New Orleans Second Line -- Catherine Cole: Wole Soyinka's The beatification of area boy as neoliberal kaleidoscope -- Sites of articulation. Jon D. Rossini: Teatro visi�on and the limits of Chicano politics in neoliberal space -- Nitza Tenenblat: Repairing Teatro Oficina Perdiz -- Jisha Menon: Palimpsestic city: nostalgia and adaptation in neoliberal Bangalore -- Diyah Larasati: Desiring the stage: the interplay of mobility and resistance -- Afterword. May Joseph: Aquatopia: Harmattan Theatre, neoliberal provisionality, and the future of water.

How do theatre and performance transmit and dispute ideologies of neoliberalism? The essays in this anthology examine the mechanisms and rhetorics of contemporary multinational and transnational organizations, artists, and communities that produce theatre and performance for global audiences. Given the economic violence so clearly present in our contemporary moment throughout the globe, this volume provides crucial analysis of how we got here, looking at performances from the 18th century to the present. Case studies from Singapore, Vietnam, greater China, Peru, Mexico, Indonesia, Brazil, India, Nigeria, the US reveal how performance circulates, transmutes and challenges the disciplinary formations and assumptions of contemporary investment in market logics and notions of freedom. Collecting eighteen essays by cutting edge scholars, Neoliberalism and Global Theatres: Performance Permutations brings together diverse perspectives that challenge readers to grapple with the effects of globalized capital on theater, dance, film, visual art, televisual performance and music.

ISBN: 9781137035608 (electronic bk.)

Source: 470683Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

237908
Theater and society.
Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PN2049 / .N35 2012

Dewey Class. No.: 792

Neoliberalism and global theatres = performance permutations /
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505 0 $a Introduction: heterotopic transgressions and interventions: the (il)liberal neoliberal / Lara D. Nielsen -- Institutional strategies. Margaret Werry: Nintendo Museum: intercultural pedagogy, neoliberal citizenship, and a theatre without actors -- Sebastian Calder�on: Bent�n archaeologies of empire: colonial Hollywood and the neoliberal academy -- Eng-Beng Lim: Neoliberalism, the arts, and the global university -- David Savran: Branding the revolution: Hair redux -- Modes of Transmission. Patrick Anderson: I feel for you -- Karen Shimakawa: Staging a moving map in Byron Au Yong and Aaron Jafferis' Stuck elevator -- Patricia Ybarra: Fighting for a future in a free trade world -- Thomas F. Defrantz: Unchecked popularity: neoliberal circulations of black dance -- Formal economies. Khai Thu Nguyen: Model dissent: L'u Quang v' and the melodramatic performance of renovation in post-war Vietnmm -- Michal Kobialka: Representational practices and real abstractions in early eighteenth-century London -- Margaret M. Olsen: The gift of the New Orleans Second Line -- Catherine Cole: Wole Soyinka's The beatification of area boy as neoliberal kaleidoscope -- Sites of articulation. Jon D. Rossini: Teatro visi�on and the limits of Chicano politics in neoliberal space -- Nitza Tenenblat: Repairing Teatro Oficina Perdiz -- Jisha Menon: Palimpsestic city: nostalgia and adaptation in neoliberal Bangalore -- Diyah Larasati: Desiring the stage: the interplay of mobility and resistance -- Afterword. May Joseph: Aquatopia: Harmattan Theatre, neoliberal provisionality, and the future of water.
520 $a How do theatre and performance transmit and dispute ideologies of neoliberalism? The essays in this anthology examine the mechanisms and rhetorics of contemporary multinational and transnational organizations, artists, and communities that produce theatre and performance for global audiences. Given the economic violence so clearly present in our contemporary moment throughout the globe, this volume provides crucial analysis of how we got here, looking at performances from the 18th century to the present. Case studies from Singapore, Vietnam, greater China, Peru, Mexico, Indonesia, Brazil, India, Nigeria, the US reveal how performance circulates, transmutes and challenges the disciplinary formations and assumptions of contemporary investment in market logics and notions of freedom. Collecting eighteen essays by cutting edge scholars, Neoliberalism and Global Theatres: Performance Permutations brings together diverse perspectives that challenge readers to grapple with the effects of globalized capital on theater, dance, film, visual art, televisual performance and music.
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