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Holocaust impiety in literature, popular music and film

Record Type:	Electronic resources : Monograph/item
Title/Author:	Holocaust impiety in literature, popular music and film/ Matthew Boswell.
Author:	Boswell, Matthew,
Published:	New York :Palgrave Macmillan, : 2012.,
Description:	1 online resource.
Subject:	Holocaust, Jewish (1939-1945), in literature. -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9780230358690
ISBN:	9780230358690 (electronic bk.)

Holocaust impiety in literature, popular music and film
Boswell, Matthew,1979-

Holocaust impiety in literature, popular music and film[electronic resource] /Matthew Boswell. - New York :Palgrave Macmillan,2012. - 1 online resource.

Includes bibliographical references and index.

Introduction -- PART I: POETRY -- Sylvia Plath, Ariel (1965) and Other Poems -- W. D. Snodgrass, The Fuehrer Bunker (1995) -- PART II: POPULAR MUSIC -- American Punk: Ramones, Ramones (1976) -- English Punk: Sex Pistols, Never Mind the Bollocks, Here's the Sex Pistols (1977) and The Great Rock 'n' Roll Swindle (1979) -- Post-Punk: Joy Division, Closer (1980) -- Post-Punk Rock: Manic Street Preachers, The Holy Bible (1994) -- PART III: FILM -- Night and Fog (Alain Resnais, 1955) -- Shoah (Claude Lanzmann, 1985) -- The Grey Zone (Tim Blake Nelson, 2001) -- Inglourious Basterds (Quentin Tarantino, 2009) -- Index.

Holocaust Impiety in Literature, Popular Music and Film is an account of provocative and controversial representations of the Holocaust. Many well-known artists have attracted criticism for approaching the Nazi genocide in ways that have been deemed ill-conceived or offensive. Examples include Sylvia Plath's notorious claim that 'Every woman adores a Fascist' in her poem 'Daddy' and songs such as 'Belsen Was a Gas' by the Sex Pistols. The Holocaust has even provided material for stand-up comedy and gory Hollywood blockbusters such as Quentin Tarantino's Inglourious Basterds. In this book, MatthewBoswell argues that while such works are often shocking, the value of shock should not be lightly dismissed in the context of the Holocaust. Drawing on the philosopher Gillian Rose's criticisms of what she termed 'Holocaust piety' and its claim that the only possible response to the Holocaust is a respectful silence, this book considers how irreverent works of fiction play an important role in shaping our contemporary understanding of the Nazi genocide and also of ourselves, prompting us to reflect on what it means to be human in light of the tragic events that they reference.

ISBN: 9780230358690 (electronic bk.)

Source: 363263Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

90693
Holocaust, Jewish (1939-1945), in literature.
Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PN56.H55 / B67 2012

Dewey Class. No.: 809/.93358405318

Holocaust impiety in literature, popular music and film
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505 0 $a Introduction -- PART I: POETRY -- Sylvia Plath, Ariel (1965) and Other Poems -- W. D. Snodgrass, The Fuehrer Bunker (1995) -- PART II: POPULAR MUSIC -- American Punk: Ramones, Ramones (1976) -- English Punk: Sex Pistols, Never Mind the Bollocks, Here's the Sex Pistols (1977) and The Great Rock 'n' Roll Swindle (1979) -- Post-Punk: Joy Division, Closer (1980) -- Post-Punk Rock: Manic Street Preachers, The Holy Bible (1994) -- PART III: FILM -- Night and Fog (Alain Resnais, 1955) -- Shoah (Claude Lanzmann, 1985) -- The Grey Zone (Tim Blake Nelson, 2001) -- Inglourious Basterds (Quentin Tarantino, 2009) -- Index.
505 0 $a Introduction -- Poetry. Sylvia Plath, Ariel (1965) and other poems -- W. D. Snodgrass, The fuehrer bunker (1995) -- Popular music. American punk: Ramones, Ramones (1976) -- English punk: Sex pistols, Never mind the bollocks, Here's The sex pistols (1977) and The great rock 'n' roll swindle (1979) -- Post-punk: Joy division, Closer (1980) -- Post-punk rock: Manic Street preachers, The holy Bible (1994) -- Film. Night and fog (Alain Resnais, 1955) -- Shoah (Claude Lanzmann, 1985) -- The grey zone (Tim Blake Nelson, 2001) -- Inglourious basterds (Quentin Tarantino, 2009).
520 $a Holocaust Impiety in Literature, Popular Music and Film is an account of provocative and controversial representations of the Holocaust. Many well-known artists have attracted criticism for approaching the Nazi genocide in ways that have been deemed ill-conceived or offensive. Examples include Sylvia Plath's notorious claim that 'Every woman adores a Fascist' in her poem 'Daddy' and songs such as 'Belsen Was a Gas' by the Sex Pistols. The Holocaust has even provided material for stand-up comedy and gory Hollywood blockbusters such as Quentin Tarantino's Inglourious Basterds. In this book, MatthewBoswell argues that while such works are often shocking, the value of shock should not be lightly dismissed in the context of the Holocaust. Drawing on the philosopher Gillian Rose's criticisms of what she termed 'Holocaust piety' and its claim that the only possible response to the Holocaust is a respectful silence, this book considers how irreverent works of fiction play an important role in shaping our contemporary understanding of the Nazi genocide and also of ourselves, prompting us to reflect on what it means to be human in light of the tragic events that they reference.
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