新生學校財團法人新生醫護管理專科學校圖書館 |

Language: English

Back

Screening the unwatchable = spaces o...

Gr�nstad, Asbj�rn.

Screening the unwatchable = spaces of negation in post-millennial art cinema /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Screening the unwatchable/ Asbj�rn Gr�nstad.
Reminder of title:	spaces of negation in post-millennial art cinema /
Author:	Gr�nstad, Asbj�rn.
Published:	New York :Palgrave Macmillan, : 2011.,
Description:	1 online resource.
Subject:
ISBN:	9780230355859 (electronic bk.)

Screening the unwatchable = spaces of negation in post-millennial art cinema /
Gr�nstad, Asbj�rn.

Screening the unwatchablespaces of negation in post-millennial art cinema /[electronic resource] :Asbj�rn Gr�nstad. - New York :Palgrave Macmillan,2011. - 1 online resource.

Screening the Unwatchable traces the rise of extreme art cinema across a range of films from Lars von Trier's The Idiots to Michael Haneke's Cac�h. Reviving the debate about the role of negation and aesthetics, the book argues that the recent turn in contemporary art cinema toward transgressive subjects provides a unique opportunity to reframe the concept of spectatorship in ethical terms. A key insight offered is that the gravitation toward previously taboo topics betrays an attempt to portray issues involving the body, sexuality and gender in a more truthful manner. At the same time, these films also seem to push the limits of representation to an unprecedented level, provoking feelings of discomfort and disorientation in the spectator. Asb�jrn G�rnstad?explains why such disturbing experiences may still convey values essential to our shared visual culture.#0

ISBN: 9780230355859 (electronic bk.)

Source: 402886Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

72593

Index Terms--Genre/Form:

239592

LC Class. No.: PN1995.9.P7828 / G76 2011

Dewey Class. No.: 791.4301

Screening the unwatchable = spaces of negation in post-millennial art cinema /
LDR:01683cmm 2200253Ka 4500 001 138658
003 OCoLC
005 20120502024455.0
006 m d
007 cr cn|||||||||
008 160121s2011 nyu obq 001 0 eng d
020 $a 9780230355859 (electronic bk.)
020 $a 0230355854 (electronic bk.)
035 $a (OCoLC)767822260
035 $a ocn767822260
037 $a 402886 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $c UKPGM $d N
049 $a TEFA
050 1 4 $a PN1995.9.P7828 $b G76 2011
072 7 $a PER $x 004030 $2 bisacsh
082 0 4 $a 791.4301 $2 23
100 1 $a Gr�nstad, Asbj�rn. $3 253413
245 1 0 $a Screening the unwatchable $h [electronic resource] : $b spaces of negation in post-millennial art cinema / $c Asbj�rn Gr�nstad.
260 $a New York : $c 2011. $b Palgrave Macmillan,
300 $a 1 online resource.
520 $a Screening the Unwatchable traces the rise of extreme art cinema across a range of films from Lars von Trier's The Idiots to Michael Haneke's Cac�h. Reviving the debate about the role of negation and aesthetics, the book argues that the recent turn in contemporary art cinema toward transgressive subjects provides a unique opportunity to reframe the concept of spectatorship in ethical terms. A key insight offered is that the gravitation toward previously taboo topics betrays an attempt to portray issues involving the body, sexuality and gender in a more truthful manner. At the same time, these films also seem to push the limits of representation to an unprecedented level, provoking feelings of discomfort and disorientation in the spectator. Asb�jrn G�rnstad?explains why such disturbing experiences may still convey values essential to our shared visual culture.#0
650 0 $3 72593
655 4 $3 239592
710 $3 251528