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The cinema of the Dardenne brothers ...
~
Dardenne, Luc, (1954-)
The cinema of the Dardenne brothers = responsible realism /
Record Type:
Electronic resources : Monograph/item
Title/Author:
The cinema of the Dardenne brothers/ Philip Mosley.
Reminder of title:
responsible realism /
Author:
Mosley, Philip.
Published:
New York :Columbia University Press, : 2012.,
Description:
vi, 152 pages :ill. ; : 24 cm.;
Subject:
Motion picture producers and directors - Biography. - Belgium -
Online resource:
http://portal.igpublish.com/iglibrary/search/COLB0001715.html
ISBN:
0231163282 (hbk.)
The cinema of the Dardenne brothers = responsible realism /
Mosley, Philip.
The cinema of the Dardenne brothers
responsible realism /[electronic resource] :Philip Mosley. - New York :Columbia University Press,2012. - vi, 152 pages :ill. ;24 cm. - Directors' Cuts. - Directors' cuts..
Includes bibliographical references (pages 141-147) and index.
Responsible realists -- Cinematic reference points -- The video documentaries, 1974-83 : In the beginning was the resistance; The nightingale's song; When L�eon M.'s boat first sailed down the River Meuse; For the war to end, the walls had to crumble; R ... no longer answers; Lessons from a university on the fly; Look at Jonathan. Jean Louvet, his work -- Foraying into fiction, 1986-92 : Falsch; They're running ... everyone's running; You're on my mind -- Breakthrough : The promise, 1996 -- First Palme d'Or : Rosetta, 1999 -- Pushing the envelope : The son, 2002 -- Second Palme d'Or : The child, 2005 -- A minor shift : The silence of Lorna, 2008 -- Afterword : The kid with a bike, 2011.
The brothers Jean-Pierre and Luc Dardenne have established an international reputation for their emotionally powerful realist cinema. Inspired by their home turf of Liege-Seraing, a former industrial hub of French-speaking southern Belgium, they have crafted a series of fiction films that blends acute observation of life on the social margins with moral fables for the postmodern age. This volume analyses the brothers' career from their leftist video documentaries of the 1970s and 1980s through their debut as directors of fiction films in the late 1980s and early 1990s to their six major achievements from 'The Promise' (1996) to 'The Kid with a Bike' (2011), an oeuvre that includes two Golden Palms at the Cannes film festival, for 'Rosetta' (1999) and 'The Child' (2005). It argues that the ethical dimension of the Dardennes' work complements rather than precludes their sustained expression of a fundamental political sensibility.
ISBN: 0231163282 (hbk.)Subjects--Personal Names:
254003
Dardenne, Jean-Pierre,
1951---Criticism and interpretation.Subjects--Topical Terms:
254006
Motion picture producers and directors
--Belgium--Biography.
Dewey Class. No.: 791.430233092
The cinema of the Dardenne brothers = responsible realism /
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responsible realism /
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Responsible realists -- Cinematic reference points -- The video documentaries, 1974-83 : In the beginning was the resistance; The nightingale's song; When L�eon M.'s boat first sailed down the River Meuse; For the war to end, the walls had to crumble; R ... no longer answers; Lessons from a university on the fly; Look at Jonathan. Jean Louvet, his work -- Foraying into fiction, 1986-92 : Falsch; They're running ... everyone's running; You're on my mind -- Breakthrough : The promise, 1996 -- First Palme d'Or : Rosetta, 1999 -- Pushing the envelope : The son, 2002 -- Second Palme d'Or : The child, 2005 -- A minor shift : The silence of Lorna, 2008 -- Afterword : The kid with a bike, 2011.
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The brothers Jean-Pierre and Luc Dardenne have established an international reputation for their emotionally powerful realist cinema. Inspired by their home turf of Liege-Seraing, a former industrial hub of French-speaking southern Belgium, they have crafted a series of fiction films that blends acute observation of life on the social margins with moral fables for the postmodern age. This volume analyses the brothers' career from their leftist video documentaries of the 1970s and 1980s through their debut as directors of fiction films in the late 1980s and early 1990s to their six major achievements from 'The Promise' (1996) to 'The Kid with a Bike' (2011), an oeuvre that includes two Golden Palms at the Cannes film festival, for 'Rosetta' (1999) and 'The Child' (2005). It argues that the ethical dimension of the Dardennes' work complements rather than precludes their sustained expression of a fundamental political sensibility.
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http://portal.igpublish.com/iglibrary/search/COLB0001715.html
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