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Stage, stake, and scaffold = humans ...

H�ofele, Andreas, (1950-)

Stage, stake, and scaffold = humans and animals in Shakespeare's theatre /

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	Stage, stake, and scaffold/ by Andreas Hofele.
其他題名:	humans and animals in Shakespeare's theatre /
作者:	H�ofele, Andreas,
出版者:	Oxford :Oxford University Press, : 2011.,
面頁冊數:	1 online resource (xii, 315 p.) :ill. :
標題:	Theater - History - 17th century. - England -
電子資源:	http://dx.doi.org/10.1093/acprof:oso/9780199567645.001.0001
ISBN:	9780191731075 (ebook) :

Stage, stake, and scaffold = humans and animals in Shakespeare's theatre /
H�ofele, Andreas,1950-

Stage, stake, and scaffoldhumans and animals in Shakespeare's theatre /[electronic resource] :by Andreas Hofele. - Oxford :Oxford University Press,2011. - 1 online resource (xii, 315 p.) :ill.

Includes bibliographical references and index.

In Shakespeare's London, the stage of the playhouse, the stake of the bear baiting arena, and the scaffold of public execution constituted an ensemble of related spectacles that shared the same audiences. Andreas Hofele argues that this generated a powerful exchange of images and a spill-over of animal features into Shakespeare's characters.

ISBN: 9780191731075 (ebook) :No priceSubjects--Personal Names:

88277
Shakespeare, William,
1564-1616--Criticism and interpretation--20th century.Subjects--Topical Terms:

200019
Theater
--History--England--17th century.

LC Class. No.: PR3044 / .H637 2011

Dewey Class. No.: 822.33

Stage, stake, and scaffold = humans and animals in Shakespeare's theatre /
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100 1 $a H�ofele, Andreas, $d 1950- $3 261338
245 1 0 $a Stage, stake, and scaffold $h [electronic resource] : $b humans and animals in Shakespeare's theatre / $c by Andreas Hofele.
260 $a Oxford : $c 2011. $b Oxford University Press,
300 $a 1 online resource (xii, 315 p.) : $b ill.
504 $a Includes bibliographical references and index.
520 8 $a In Shakespeare's London, the stage of the playhouse, the stake of the bear baiting arena, and the scaffold of public execution constituted an ensemble of related spectacles that shared the same audiences. Andreas Hofele argues that this generated a powerful exchange of images and a spill-over of animal features into Shakespeare's characters.
588 $a Description based on print version record.
600 1 0 $a Shakespeare, William, $d 1564-1616 $x Criticism and interpretation $x History $y 20th century. $3 88277 $3 172857
650 0 $a Theater $z England $x History $y 17th century. $3 200019
776 0 8 $i Print version $z 9780199567645
856 4 0 $3 Oxford scholarship online $u http://dx.doi.org/10.1093/acprof:oso/9780199567645.001.0001

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