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Seeing fictions in film = the episte...
~
Wilson, George M.
Seeing fictions in film = the epistemology of movies /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Seeing fictions in film/ George M. Wilson.
Reminder of title:
the epistemology of movies /
Author:
Wilson, George M.
Published:
Oxford :Oxford University Press, : 2011.,
Description:
1 online resource (viii, 220 p.) :ill., ports. :
Subject:
Motion pictures - Philosophy. -
Online resource:
http://dx.doi.org/10.1093/acprof:oso/9780199594894.001.0001
ISBN:
9780191731440 (ebook) :
Seeing fictions in film = the epistemology of movies /
Wilson, George M.
Seeing fictions in film
the epistemology of movies /[electronic resource] :George M. Wilson. - Oxford :Oxford University Press,2011. - 1 online resource (viii, 220 p.) :ill., ports.
Includes bibliographical references and index.
What happens when we view a movie? Do we actually see the fiction, and if so how? Literary fiction is recounted by a voice of some sort - the narrator. George M. Wilson explores the strategies of cinematic narration, and argues that this prompts viewers to imagine seeing and hearing events in the fictional world.
ISBN: 9780191731440 (ebook) :No priceSubjects--Topical Terms:
88314
Motion pictures
--Philosophy.
LC Class. No.: PN1995
Dewey Class. No.: 791.4'3013
Seeing fictions in film = the epistemology of movies /
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Seeing fictions in film
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[electronic resource] :
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the epistemology of movies /
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George M. Wilson.
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Oxford :
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2011.
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Oxford University Press,
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1 online resource (viii, 220 p.) :
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ill., ports.
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Includes bibliographical references and index.
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What happens when we view a movie? Do we actually see the fiction, and if so how? Literary fiction is recounted by a voice of some sort - the narrator. George M. Wilson explores the strategies of cinematic narration, and argues that this prompts viewers to imagine seeing and hearing events in the fictional world.
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Description based on print version record.
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Motion pictures
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Philosophy.
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88314
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Motion pictures
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Aesthetics.
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88315
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Motion picture audiences.
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Narration (Rhetoric)
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http://dx.doi.org/10.1093/acprof:oso/9780199594894.001.0001
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