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The Rhetoric of the Body from Ovid t...
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Enterline, Lynn.
The Rhetoric of the Body from Ovid to Shakespeare.
紀錄類型:
書目-電子資源 : 單行本
正題名/作者:
The Rhetoric of the Body from Ovid to Shakespeare./
作者:
Enterline, Lynn.
出版者:
Cambrisge :Cambridge University Press, : 2000.,
面頁冊數:
288 p.
叢書名:
Cambridge Studies in Renaissance Literature and Culture, 35
標題:
Body, Human, in literature. -
電子資源:
Click here to view book
ISBN:
9780511483561 (electronic bk.)
The Rhetoric of the Body from Ovid to Shakespeare.
Enterline, Lynn.
The Rhetoric of the Body from Ovid to Shakespeare.
[electronic resource]. - Cambrisge :Cambridge University Press,2000. - 288 p. - Cambridge Studies in Renaissance Literature and Culture, 35.
Preliminaries; Contents; Acknowledgements; 1 Pursuing Daphne; 2 Medusa's mouth: body and voice in the Metamorphoses; 3 Embodied voices: autobiography and fetishism in the Rime Sparse; 4 "Be not obsceane though wanton'': Marston's Metamorphosis of Pigmalions Image; 5 "Poor instruments'' and unspeakable events in The Rape of Lucrece; 6 "You speak a language that I understand not'': the rhetoric of animation in The Winter's Tale; Notes; Index; Cambridge Studies in Renaissance Literature and Culture
This persuasive book describes the complex, often violent connections between body and voice in Ovid's Metamorphoses and works by Petrarch, Marston and Shakespeare. Lynn Enterline brilliantly reveals how Ovid's stories of violence and desire disturb Renaissance conceptions of authorship and what makes the difference between male and female experience.
Electronic reproduction.
Available via World Wide Web.
Mode of access: World Wide Web.
ISBN: 9780511483561 (electronic bk.)Subjects--Topical Terms:
277551
Body, Human, in literature.
Index Terms--Genre/Form:
96803
Electronic books.
LC Class. No.: PN56.B62 E58 2000eb
Dewey Class. No.: 809.9335
The Rhetoric of the Body from Ovid to Shakespeare.
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Preliminaries; Contents; Acknowledgements; 1 Pursuing Daphne; 2 Medusa's mouth: body and voice in the Metamorphoses; 3 Embodied voices: autobiography and fetishism in the Rime Sparse; 4 "Be not obsceane though wanton'': Marston's Metamorphosis of Pigmalions Image; 5 "Poor instruments'' and unspeakable events in The Rape of Lucrece; 6 "You speak a language that I understand not'': the rhetoric of animation in The Winter's Tale; Notes; Index; Cambridge Studies in Renaissance Literature and Culture
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This persuasive book describes the complex, often violent connections between body and voice in Ovid's Metamorphoses and works by Petrarch, Marston and Shakespeare. Lynn Enterline brilliantly reveals how Ovid's stories of violence and desire disturb Renaissance conceptions of authorship and what makes the difference between male and female experience.
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