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Modernism, Romance and the Fin de Si...
~
Daly, Nicholas.
Modernism, Romance and the Fin de Siecle : = Popular Fiction and British Culture, 1880-1914.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Modernism, Romance and the Fin de Siecle :/
Reminder of title:
Popular Fiction and British Culture, 1880-1914.
Author:
Daly, Nicholas.
Published:
Cambridge :Cambridge University Press, : 2000.,
Description:
230 p.
Subject:
English fiction. -
Online resource:
Click here to view book
ISBN:
9780511485077# (electronic bk.)
Modernism, Romance and the Fin de Siecle : = Popular Fiction and British Culture, 1880-1914.
Daly, Nicholas.
Modernism, Romance and the Fin de Siecle :
Popular Fiction and British Culture, 1880-1914.[electronic resource]. - Cambridge :Cambridge University Press,2000. - 230 p.
Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgements; Introduction; CHAPTER 1 Incorporated bodies: Dracula and professionalism; CHAPTER 2 The imperial treasure hunt: The Snake’s Pass and the limits of romance; CHAPTER 3 ‘Mummie is become merchandise’: the mummy story as commodity theory; CHAPTER 4 Across the great divide: modernism, popular fiction and the primitive; Afterword: the long goodbye; Notes; Index
Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years. The presence of a genre such as romance within modernism, he claims, should force a questioning of the usual distinction between high and popular culture.
Electronic reproduction.
Available via World Wide Web.
Mode of access: World Wide Web.
ISBN: 9780511485077# (electronic bk.)Subjects--Topical Terms:
231142
English fiction.
Index Terms--Genre/Form:
96803
Electronic books.
LC Class. No.: PR878.P68 D35 1999eb
Dewey Class. No.: 823.809112
Modernism, Romance and the Fin de Siecle : = Popular Fiction and British Culture, 1880-1914.
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230 p.
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Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgements; Introduction; CHAPTER 1 Incorporated bodies: Dracula and professionalism; CHAPTER 2 The imperial treasure hunt: The Snake’s Pass and the limits of romance; CHAPTER 3 ‘Mummie is become merchandise’: the mummy story as commodity theory; CHAPTER 4 Across the great divide: modernism, popular fiction and the primitive; Afterword: the long goodbye; Notes; Index
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Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years. The presence of a genre such as romance within modernism, he claims, should force a questioning of the usual distinction between high and popular culture.
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Electronic reproduction.
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Available via World Wide Web.
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Click here to view book
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http://ebooks.cambridge.org/ebook.jsf?bid=CBO9780511485077#
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