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Modernism and the Ideology of Histor...
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Williams, Louise Blakeney.
Modernism and the Ideology of History : = Literature, Politics, and the Past.
紀錄類型:
書目-電子資源 : 單行本
正題名/作者:
Modernism and the Ideology of History :/
其他題名:
Literature, Politics, and the Past.
作者:
Williams, Louise Blakeney.
出版者:
Cambridge :Cambridge University Press, : 2002.,
面頁冊數:
275 p.
電子資源:
Click here to view book
ISBN:
9780511485350 (electronic bk.)
Modernism and the Ideology of History : = Literature, Politics, and the Past.
Williams, Louise Blakeney.
Modernism and the Ideology of History :
Literature, Politics, and the Past.[electronic resource]. - Cambridge :Cambridge University Press,2002. - 275 p.
Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgements; Abbreviations; Introduction; CHAPTER 1 “Immaterial pleasure houses”: the initial aesthetic dilemma; CHAPTER 2 “A more dream-heavy hour”: medievalist and progressive beginnings; CHAPTER 3 “Pedantry and hysteria”: contemporary political problems; CHAPTER 4 “A certain discipline”: radical conservative solutions; CHAPTER 5 “A particularly lively wheel”: cyclic views emerge; CHAPTER 6 “Our own image”: the example of Asian and non-Western cultures; CHAPTER 7 In “the grip of the…vortex”: the proof of Post-Impressionist art
Louise Williams explores the cyclical nature of historical memory in the work of five writers: Yeats, Pound, Hulme, Ford and Lawrence. Modernists, Williams argues, changed their attitude to history as a result of important conflicts within the period. This study will be essential reading for anyone interested in modernist writing.
Electronic reproduction.
Available via World Wide Web.
Mode of access: World Wide Web.
ISBN: 9780511485350 (electronic bk.)Index Terms--Genre/Form:
96803
Electronic books.
LC Class. No.: PR478. H57 / W55 2002
Dewey Class. No.: 820.9/112
Modernism and the Ideology of History : = Literature, Politics, and the Past.
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Literature, Politics, and the Past.
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Cambridge University Press,
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275 p.
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Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgements; Abbreviations; Introduction; CHAPTER 1 “Immaterial pleasure houses”: the initial aesthetic dilemma; CHAPTER 2 “A more dream-heavy hour”: medievalist and progressive beginnings; CHAPTER 3 “Pedantry and hysteria”: contemporary political problems; CHAPTER 4 “A certain discipline”: radical conservative solutions; CHAPTER 5 “A particularly lively wheel”: cyclic views emerge; CHAPTER 6 “Our own image”: the example of Asian and non-Western cultures; CHAPTER 7 In “the grip of the…vortex”: the proof of Post-Impressionist art
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CHAPTER 8 The “cycle dance”: cyclic history arrivesCHAPTER 9 “The Nightmare” and beyond: the First World War and mature cyclic theories; Conclusion; Notes; Index
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Louise Williams explores the cyclical nature of historical memory in the work of five writers: Yeats, Pound, Hulme, Ford and Lawrence. Modernists, Williams argues, changed their attitude to history as a result of important conflicts within the period. This study will be essential reading for anyone interested in modernist writing.
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http://ebooks.cambridge.org/ebook.jsf?bid=CBO9780511485350
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