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Contesting the Gothic : = Fiction, G...

Butler, Marilyn.

Contesting the Gothic : = Fiction, Genre and Cultural Conflict, 1764-1832.

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	Contesting the Gothic :/
其他題名:	Fiction, Genre and Cultural Conflict, 1764-1832.
作者:	Watt, James.
其他作者:	Butler, Marilyn.
出版者:	Cambridge :Cambridge University Press, : 1999.,
面頁冊數:	220 p.
標題:	English fiction. -
電子資源:	Click here to view book
ISBN:	9780511484674 (electronic bk.)

Contesting the Gothic : = Fiction, Genre and Cultural Conflict, 1764-1832.
Watt, James.

Contesting the Gothic :Fiction, Genre and Cultural Conflict, 1764-1832.[electronic resource]. - Cambridge :Cambridge University Press,1999. - 220 p.

Cover; Half-title; Series-title; Tilte; Copyright; Dedication; Contents; Acknowledgements; Introduction; CHAPTER I Origins: Horace Walpole and The Castle of Otranto; CHAPTER 2 The Loyalist Gothic romance; CHAPTER 3 Gothic 'subversion’: German literature, the Minerva Press, Matthew Lewis; CHAPTER 4 The first poetess of romantic fiction: Ann Radcliffe; CHAPTER 5 The field of romance: Walter Scott, the Waverley novels, the Gothic; Notes; Bibliography; Index

Charting its vicissitudes from Walpole to Scott, James Watt shows the Gothic to have been a heterogeneous body of fiction, characterised at times by antagonistic relations between writers or works. He examines the novels' political import, and looks ahead to the fluctuating critical status of Scott and the Gothic.

Electronic reproduction.

Available via World Wide Web.

Mode of access: World Wide Web.

ISBN: 9780511484674 (electronic bk.)Subjects--Topical Terms:

231142
English fiction.
Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PR858.T3 W38 1999eb

Dewey Class. No.: 823.087290909033

Contesting the Gothic : = Fiction, Genre and Cultural Conflict, 1764-1832.
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520 $a Charting its vicissitudes from Walpole to Scott, James Watt shows the Gothic to have been a heterogeneous body of fiction, characterised at times by antagonistic relations between writers or works. He examines the novels' political import, and looks ahead to the fluctuating critical status of Scott and the Gothic.
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