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Sonnet Sequences and Social Distinct...
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Barton, Anne.
Sonnet Sequences and Social Distinction in Renaissance England.
紀錄類型:
書目-電子資源 : 單行本
正題名/作者:
Sonnet Sequences and Social Distinction in Renaissance England./
作者:
Warley, Christopher.
其他作者:
Barton, Anne.
出版者:
Cambridge :Cambridge University Press, : 2005.,
面頁冊數:
256 p.
標題:
Sonnets, English. -
電子資源:
Click here to view book
ISBN:
9780511484056 (electronic bk.)
Sonnet Sequences and Social Distinction in Renaissance England.
Warley, Christopher.
Sonnet Sequences and Social Distinction in Renaissance England.
[electronic resource]. - Cambridge :Cambridge University Press,2005. - 256 p.
Cover; Half-title; Series-title; Title; Copyright; Dedication; Contents; Preface; 1 Sonnet sequences and social distinction; 2 Post-romantic lyric: class and the critical apparatus of sonnet conventions; 3 “An Englishe box”: Calvinism and commodities in Anne Lok's A Meditation of a Penitent Sinner; 4 “Nobler desires” and Sidney's Astrophil and Stella; 5 “So plenty makes me poore”: Ireland, capitalism, and class in Spenser's Amoretti and Epithalamion; 6 “Till my bad angel fire my good one out”: engendering economic expertise in Shakespeare's Sonnets
Christopher Warley argues that the formal tensions of the Renaissance sonnet sequence allowed poets to describe and invent new kinds of social distinction. Warley examines the social assumptions embedded in sonnet sequences, and offers a valuable contribution to the study of the social and cultural resonances of lyric forms.
Electronic reproduction.
Available via World Wide Web.
Mode of access: World Wide Web.
ISBN: 9780511484056 (electronic bk.)Subjects--Topical Terms:
278708
Sonnets, English.
Index Terms--Genre/Form:
96803
Electronic books.
LC Class. No.: PR509.S7 W37 2005eb
Dewey Class. No.: 821/.0420903
Sonnet Sequences and Social Distinction in Renaissance England.
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Cover; Half-title; Series-title; Title; Copyright; Dedication; Contents; Preface; 1 Sonnet sequences and social distinction; 2 Post-romantic lyric: class and the critical apparatus of sonnet conventions; 3 “An Englishe box”: Calvinism and commodities in Anne Lok's A Meditation of a Penitent Sinner; 4 “Nobler desires” and Sidney's Astrophil and Stella; 5 “So plenty makes me poore”: Ireland, capitalism, and class in Spenser's Amoretti and Epithalamion; 6 “Till my bad angel fire my good one out”: engendering economic expertise in Shakespeare's Sonnets
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7 “The English straine”: absolutism, class, and Drayton's Ideas, 1594–1619Afterword: Engendering class: Drayton, Wroth, Milton, and the genesis of the public sphere; Notes; Index
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Christopher Warley argues that the formal tensions of the Renaissance sonnet sequence allowed poets to describe and invent new kinds of social distinction. Warley examines the social assumptions embedded in sonnet sequences, and offers a valuable contribution to the study of the social and cultural resonances of lyric forms.
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