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Filming Shakespeare in the global ma...
~
Burnett, Mark Thornton.
Filming Shakespeare in the global marketplace
Record Type:
Electronic resources : Monograph/item
Title/Author:
Filming Shakespeare in the global marketplace/ Mark Thornton Burnett.
Author:
Burnett, Mark Thornton.
Published:
Basingstoke [England] ;Palgrave Macmillan, : 2007.,
Description:
xi, 227 p. :ill. :
Series:
Palgrave Shakespeare studies
Subject:
English drama - Film adaptations. -
Online resource:
access to fulltext (Palgrave)
ISBN:
9780230800809
Filming Shakespeare in the global marketplace
Burnett, Mark Thornton.
Filming Shakespeare in the global marketplace
[electronic resource]/Mark Thornton Burnett. - Basingstoke [England] ;Palgrave Macmillan,2007. - xi, 227 p. :ill. - Palgrave Shakespeare studies.
Includes bibliographical references (p. 193-212) and index.
Screening the Stage -- Sequelizing Shakespeare -- The Local and the Global -- Racial Identities, Global Economies -- Remembrance, Holocaust, Globalization -- Spirituality/Meaning/Shakespeare --Post-Millennial Parody.
This polemical study contends that Shakespeare films produced on both sides of the millenniumrespond to globalization by reflecting upon the changing circumstances of their own cultural locations. Examining art-house works as well as media representations, grass-roots creations and Hollywoodstatements, Burnett argues for the crucial place of Shakespeare in contemporary debates about hybridity and identity, religion and ethnicity, and spirituality and difference. Performing more than onetask simultaneously, the productions investigated here initiate and sequelize, and authenticate anddemythologize, emptying out the regional as they restore the local within a grammar of the global. Inside this process, film reveals itself as acutely responsive to both its own marketplace niche andto Shakespeare's status as an icon moulded according tothe dictates of late capitalist modes of consumption.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230800809
Standard No.: 10.1057/9780230800809doiSubjects--Personal Names:
88277
Shakespeare, William,
1564-1616--Criticism and interpretation--20th century.Subjects--Topical Terms:
292865
English drama
--Film adaptations.Index Terms--Genre/Form:
96803
Electronic books.
LC Class. No.: PR3093 / .B87 2007eb
Dewey Class. No.: 791.43/6
Filming Shakespeare in the global marketplace
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2007.
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xi, 227 p. :
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ill.
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Includes bibliographical references (p. 193-212) and index.
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Screening the Stage -- Sequelizing Shakespeare -- The Local and the Global -- Racial Identities, Global Economies -- Remembrance, Holocaust, Globalization -- Spirituality/Meaning/Shakespeare --Post-Millennial Parody.
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This polemical study contends that Shakespeare films produced on both sides of the millenniumrespond to globalization by reflecting upon the changing circumstances of their own cultural locations. Examining art-house works as well as media representations, grass-roots creations and Hollywoodstatements, Burnett argues for the crucial place of Shakespeare in contemporary debates about hybridity and identity, religion and ethnicity, and spirituality and difference. Performing more than onetask simultaneously, the productions investigated here initiate and sequelize, and authenticate anddemythologize, emptying out the regional as they restore the local within a grammar of the global. Inside this process, film reveals itself as acutely responsive to both its own marketplace niche andto Shakespeare's status as an icon moulded according tothe dictates of late capitalist modes of consumption.
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2009.
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Mode of access:World Wide Web.
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Access may berestricted to users at subscribing institutions.
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access to fulltext (Palgrave)
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