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The postmodern fairytale = folkloric...
~
Smith, Kevin Paul.
The postmodern fairytale = folkloric intertexts in contemporary fiction /
Record Type:
Electronic resources : Monograph/item
Title/Author:
The postmodern fairytale/ Kevin Paul Smith.
Reminder of title:
folkloric intertexts in contemporary fiction /
remainder title:
Postmodern fairy tale
Author:
Smith, Kevin Paul.
Published:
Basingstoke [England] ;Palgrave Macmillan, : 2007.,
Description:
vi, 198 p.
Subject:
Literature and folklore - History - 20th century. - England -
Online resource:
access to fulltext (Palgrave)
ISBN:
9780230591707
The postmodern fairytale = folkloric intertexts in contemporary fiction /
Smith, Kevin Paul.
The postmodern fairytale
folkloric intertexts in contemporary fiction /[electronic resource] :Postmodern fairy taleKevin Paul Smith. - Basingstoke [England] ;Palgrave Macmillan,2007. - vi, 198 p.
Includes bibliographical references (p. 182-190) and index.
The Eight Elements of Intertextual use of Fairy Tales -- Architextual/ Chronotopic Intertextuality and Magic Realism in Kate Atkinson's Human Croquet -- Metafictive Intertextuality: Defining the 'Storyteller' Chronotope -- Battling the Nightmare of Myth, Terry Pratchett's Fairy Tale Inversions.
Why is Shrek one of the greatest selling DVDs of all time? Why do shampoo advertisements basethemselves on Sleeping Beauty? Why is it thatin this age where there are stories surrounding us in every media imaginable, that the same simple stories keep being told? This study attempts to explainwhy fairy tales keep popping up in the most unexpected places. It also examines the way that telling an autobiography as a fairytale begins to affect the content of the story. Magical meaning is discovered in the strange turns of fate, and actual events take on the flavour of 'magic realism'. From Salman Rushdie, and Angela Carter to KateAtkinson and Terry Pratchett, this book examines the different ways that fairy tales are used in postmodern fiction and why the most popular stories begin 'once upon a time'.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230591707
Standard No.: 10.1057/9780230591707doiSubjects--Topical Terms:
293074
Literature and folklore
--History--England--20th century.Index Terms--Genre/Form:
96803
Electronic books.
LC Class. No.: PR888.F27 / S65 2007eb
Dewey Class. No.: 823/.91209
The postmodern fairytale = folkloric intertexts in contemporary fiction /
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vi, 198 p.
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Includes bibliographical references (p. 182-190) and index.
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The Eight Elements of Intertextual use of Fairy Tales -- Architextual/ Chronotopic Intertextuality and Magic Realism in Kate Atkinson's Human Croquet -- Metafictive Intertextuality: Defining the 'Storyteller' Chronotope -- Battling the Nightmare of Myth, Terry Pratchett's Fairy Tale Inversions.
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Why is Shrek one of the greatest selling DVDs of all time? Why do shampoo advertisements basethemselves on Sleeping Beauty? Why is it thatin this age where there are stories surrounding us in every media imaginable, that the same simple stories keep being told? This study attempts to explainwhy fairy tales keep popping up in the most unexpected places. It also examines the way that telling an autobiography as a fairytale begins to affect the content of the story. Magical meaning is discovered in the strange turns of fate, and actual events take on the flavour of 'magic realism'. From Salman Rushdie, and Angela Carter to KateAtkinson and Terry Pratchett, this book examines the different ways that fairy tales are used in postmodern fiction and why the most popular stories begin 'once upon a time'.
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access to fulltext (Palgrave)
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