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Russia and its other(s) on film = screening intercultural dialogue /

紀錄類型:	書目-電子資源 : 單行本
正題名/作者:	Russia and its other(s) on film/ edited by Stephen Hutchings.
其他題名:	screening intercultural dialogue /
其他作者:	Hutchings, Stephen C.
出版者:	Basingstoke [England] ;Palgrave Macmillan, : 2008.,
面頁冊數:	xiv, 242 p.
叢書名:	Studies in Central and Eastern Europe
標題:	Motion pictures - Russia (Federation) -
標題:	Russia (Federation) - Fiction. -
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230582781

Russia and its other(s) on film = screening intercultural dialogue /
Russia and its other(s) on filmscreening intercultural dialogue /[electronic resource] :edited by Stephen Hutchings. - Basingstoke [England] ;Palgrave Macmillan,2008. - xiv, 242 p. - Studies in Central and Eastern Europe.

Includes bibliographical references (p. 226-232) and index.

Scant sign of thaw : fear and anxiety in the representation of foreigners in the Soviet filmsof the Khrushchev years / Julian Graffy -- 'The Italians are coming!' Italy and the 'other' in Soviet cinema / DavidGillespie -- In the cuckoo's nest : from a postcolonial wondertale to a post-authoritarian parable / Mark Lipovetsky -- Sokurov's Russian ark: reflections on the Russia/Europe theme /Isabelle de Keghel -- The new American other in post-Soviet Russian cinema / Seth Graham -- Lost intranslation? Early Soviet sound film abroad / Jeremy Hicks -- Cinema thinking the unthinkable : Cold War film and the non-reality of Russia / Irina Sandomirskaia -- Bilingualism, miscegenation and incest in East/West and Indochine : Russia's place in the French postcolonial imagination / Stephen Hutchings -- Through the 'other' lens? Russians on the global screen / Birgit Beumers -- Russian maritalmigrants in contemporary film / Karin Sarsenov -- Angle, avenger or trickster? The 'second-worldman'as the other and the self / Mark Lipovetsky and Daniil Leiderman.

Russia's interactions with the West have been a perennial theme of Slavic Studies, and of Russian culture and politics. Likewise, representations of Russia have shaped the identities of many western cultures. No longer providing the b1 sEvil Empire b2 s of 20th American popular consciousness, images of Russia have more recently bifurcated along two streams: that of the impoverished refugeeand that of the sinister mafia gang. Focusing on film as an engine of intercultural communication, this is the first book to explore mutual perceptions of the foreign Other in the cinema of Russia andthe West during, and after, communism. The book's structure reflects both sides of this fascinatingdialogue: Part 1 covers Russian/Soviet cinematic representations of otherness, and Part 2 treats western representations of Russia and the Soviet Union. An extensive Introduction sets the dialogue ina theoretical context. The contributors include leading film scholars from the USA, Europe and Russia.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230582781

Standard No.: 10.1057/9780230582781doiSubjects--Topical Terms:

293561
Motion pictures
--Russia (Federation)Subjects--Geographical Terms:

93502
Russia (Federation)
--Fiction.Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PN1993.5.R9 / R83 2008eb

Dewey Class. No.: 791.430947

Russia and its other(s) on film = screening intercultural dialogue /
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520 $a Russia's interactions with the West have been a perennial theme of Slavic Studies, and of Russian culture and politics. Likewise, representations of Russia have shaped the identities of many western cultures. No longer providing the b1 sEvil Empire b2 s of 20th American popular consciousness, images of Russia have more recently bifurcated along two streams: that of the impoverished refugeeand that of the sinister mafia gang. Focusing on film as an engine of intercultural communication, this is the first book to explore mutual perceptions of the foreign Other in the cinema of Russia andthe West during, and after, communism. The book's structure reflects both sides of this fascinatingdialogue: Part 1 covers Russian/Soviet cinematic representations of otherness, and Part 2 treats western representations of Russia and the Soviet Union. An extensive Introduction sets the dialogue ina theoretical context. The contributors include leading film scholars from the USA, Europe and Russia.
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