新生學校財團法人新生醫護管理專科學校圖書館 |

Modular narratives in contemporary cinema

Record Type:	Electronic resources : Monograph/item
Title/Author:	Modular narratives in contemporary cinema/ Allan Cameron.
Author:	Cameron, Allan,
Published:	Basingstoke [England] ;Palgrave Macmillan, : 2008.,
Description:	ix, 211 p. :ill. :
Subject:	Motion pictures and literature. -
Online resource:	access to fulltext (Palgrave)
ISBN:	9780230594197

Modular narratives in contemporary cinema
Cameron, Allan,1973-

Modular narratives in contemporary cinema[electronic resource] /Allan Cameron. - Basingstoke [England] ;Palgrave Macmillan,2008. - ix, 211 p. :ill.

Includes bibliographical references (p. 185-205) and index.

Modular narratives in contemporary cinema -- The shape of narrative time : subjective, schismatic and modular -- Projecting the future : order, chaos and modularity -- Navigating memory : temporal anchoring andthe modular subject -- Articulating history : archival aesthetics and the national narrative -- Deciphering the present : simultaneity, succession and mediation -- Coda : playing games with cinema.

Since the early 1990s there has been a trend towards narrative complexity within popular cinema, as evidenced by the successes of such films as Pulp Fiction, Memento and Run Lola Run. Modular Narratives in Contemporary Cinema looks at the way a number of these films play with timeand narrative. Allan Cameron shows how this formal play reflects a persistent fascination with questions of chance and destiny, memory and history, and the representation of simultaneous events. Collectively, modular narratives represent encounters between linearity and non-linearity, narrative and database, memory and forgetting, temporal anchoring and temporal drift, simultaneity and succession, and chaos and order. Ultimately, they stage the crisis and redemption of time, exploring the relationships among past, present and future in the context of contemporary media and database aesthetics.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230594197

Standard No.: 10.1057/9780230594197doiSubjects--Topical Terms:

202282
Motion pictures and literature.
Index Terms--Genre/Form:

96803
Electronic books.

LC Class. No.: PN1995.3 / .C36 2008eb

Dewey Class. No.: 791.43/6

Modular narratives in contemporary cinema
LDR:02507cmm a2200289 a 4500 001 154118
003 OCoLC
005 20101102091310.0
006 m d
007 cr nn muauu
008 160218s2008 enka sb 001 0 eng d
020 $a 9780230594197
020 $a 0230594190
024 7 $a 10.1057/9780230594197 $2 doi
040 $a UKPGM $b eng $c UKPGM $d YDXCP
041 0 $a eng
049 $a APTA
050 1 4 $a PN1995.3 $b .C36 2008eb
082 0 4 $a 791.43/6 $2 22
100 1 $a Cameron, Allan, $d 1973- $3 293874
245 1 0 $a Modular narratives in contemporary cinema $h [electronic resource] / $c Allan Cameron.
260 $a Basingstoke [England] ; $a New York : $c 2008. $b Palgrave Macmillan,
300 $a ix, 211 p. : $b ill.
504 $a Includes bibliographical references (p. 185-205) and index.
505 0 $a Modular narratives in contemporary cinema -- The shape of narrative time : subjective, schismatic and modular -- Projecting the future : order, chaos and modularity -- Navigating memory : temporal anchoring andthe modular subject -- Articulating history : archival aesthetics and the national narrative -- Deciphering the present : simultaneity, succession and mediation -- Coda : playing games with cinema.
520 $a Since the early 1990s there has been a trend towards narrative complexity within popular cinema, as evidenced by the successes of such films as Pulp Fiction, Memento and Run Lola Run. Modular Narratives in Contemporary Cinema looks at the way a number of these films play with timeand narrative. Allan Cameron shows how this formal play reflects a persistent fascination with questions of chance and destiny, memory and history, and the representation of simultaneous events. Collectively, modular narratives represent encounters between linearity and non-linearity, narrative and database, memory and forgetting, temporal anchoring and temporal drift, simultaneity and succession, and chaos and order. Ultimately, they stage the crisis and redemption of time, exploring the relationships among past, present and future in the context of contemporary media and database aesthetics.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a Motion pictures and literature. $3 202282
650 0 $a Narration (Rhetoric) $3 89838
655 7 $a Electronic books. $2 local. $3 96803
710 2 $a Palgrave Connect (Online service) $3 227469
776 1 $c Original $z 0230210414 $z 9780230210417 $w (DLC) 2008015892 $w (OCoLC)224444025
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230594197 $z access to fulltext (Palgrave)